You may wonder about my interest in this traditional American delicacy. It comes not from the interests I share with Sgr. Rossini, but from my experiences as a curator in the Cleveland Museum of Art. As my colleagues and I pushed papers and watched western civilization melt into Lake Erie, a remarkable artist from Akron came to our attention. This artist, who worked under the name B. F. Kiefrich, produced sculptures from Spam®, among them an exquisite gilt miniature Book of Hours, known as the Codex Spambergensis and a porcine version of Nefertiti’s lips.
Sir Simon Rattle’s Farewell Tour with the Berlin Philharmonic Orchestra: Two Concerts in Davies Hall, San Francisco
It was a tease this time—opening with minimalist Boulez. But it was worth it.
Anyone growing up past mid-century recalls an era when whole portions of the German symphonic experience were seeming property of the Berlin Philharmonic and its legendary conductor, Herbert von Karajan. Put a Berlin Philharmonic LP of Brahms, Strauss, Beethoven or Bruckner on the turntable, and the golden DGG logo virtually guaranteed this orchestra would sound richer, probe more deeply than any other and elicit sheer heft without parallel. No string or brass section would glow as beautifully or emit more power. If that didn’t convey authority, as it surely did to anyone with good ears, Karajan’s mesmeric space-commander hair, ascetic tunic and “visionary closed eyes” (interesting notion, that) encouraged along the way our notion of insights to be found within—most of them worthy and real.
Artist’s Books by Dan Rose; Arbitrary Pleasures-Plaisir Arbitraire, Photon Ecstasy (HD 7924) at the Van Pelt Library, University of Pennsylvania
Arbitrary Pleasures-Plaisir Arbitraire is the most recent exhibition of artist’s books by Dan Rose with a performance by New York Composer-Performers l’Artiste ordinaire (Melissa Grey & David Moneau).
Through Dan Rose’s initiative, the Kislak Center has now acquired the collected papers of Harry Matthews the first American member of Ouvroir de Littérature Potentielle, or Oulipo, a group of mostly French avant-garde novelists and poets who invented or revived techniques that influenced the trajectory of 20th and 21st century literature.
A Generous Collection of Works by Marie Jaëll from the Centre de Musique Romantique Française (Palazzetto Bru Zane, Venice)/Ediciones Singulares
Lovers of nineteenth-century music will want to know about the remarkable work of the Centre de Musique Romantique Française. The Center, founded in 2009, is run primarily by scholars from France but is located in Venice, at the Palazetto Bru Zane. It engages in research—and provides financial support—for concerts, opera performances, print publications, and numerous recordings. Many of these recordings are multiple-CD sets that come with a small hardbound book containing—in French and English—informative essays and sung texts and translations. The Center organizes these CD/book combinations into three categories: “French Opera” (11 releases so far), “[Composer] Portraits” (3 releases), and “Prix de Rome” (6 releases—compositions written by student composers at the Paris Conservatoire, such as the young Debussy). All the CD/books are produced and published by the Center itself, but Amazon.com and other record distributors tend to refer to them, instead, by the name of the firm that manufactures the book: Ediciones Singulares (El Escorial, Spain).
After the stunning concert with Simon Rattle leading the Berliner Philharmoniker at Boston’s Symphony Hall—Pierre Boulez’s scintillating Éclat followed (without intermission) by Mahler’s black sheep Symphony No. 7—I couldn’t stop shaking. There’s a lot of good music in Boston, but this was different—on a whole other level. And the audience knew it, felt it. Wasn’t it just what we needed to hear after the bruising election? People were not only cheering but weeping and hugging each other.
To say that the performance, on the eve of the presidential election, honoring President John F. Kennedy and Dr. Martin Luther King, Jr., was outstanding is a gigantic understatement.
Matters of Facts, a multimedia performance, incorporates dance, music both live and electronic, projections, video and snippets of news as broadcast during and after WWII.
DVOŘÁK Slavonic Dances, Op. 46 and Op. 72 Complete • Antal Dorati, conductor; Minneapolis Symphony • MERCURY LIVING PRESENCE 4343842 (68:00) It would be hard to suppose people don’t dance with so much vigor as in the past, but you’d…