“DARK EYES OF VENICE” – See it in fullscreen, if you dare!

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“I think the problem with tourists in Venice is that they are so out of scale with the place, like some cheezburger-eating teenager leaning back in a priceless antique chair, just about to break the legs off.” — Alan Miller

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About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

2 Comments

  1. Alan Miller

    I think Leonard Freed would be proud.

  2. Pingback: Barangaroo: Not so Fast? - Berkshire Review, an International Journal for the Arts

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