MOMIX dance Opus Cactus and more at the Joyce.

Print Friendly

 

Cactus Couples. Photo Charles Azzopardi.

Cactus Couples. Photo Charles Azzopardi.

MOMIX
Moses Pendleton, Artistic Director
Lighting by Joshua Starbuck and Moses Pendleton

The Joyce Theater
July 5, 2017

The desert blooms in wondrous ways with all manner of flora and fauna in Momix’ Opus Cactus, conceived by Moses Pendleton. The company members, self-described as “illusionists” are as athletic as Olympians. During the performance they appear as giant saguaros, tumbleweeds, fire dancers and a four-person, slithering Gila monster, with all these figures emerging from an ingenious use of costumes, lighting, and the human body. Mostly it’s about the suppleness of the dancers (though some argue that this isn’t exactly dance) and their staggering physicality. Very creative costumes and lighting also contribute.

The first act is composed almost entirely with members of the company while the second incorporates “props” including a tumbling metal structure inhabited by a man and a woman who writhe and turn with and without it. The evening’s opening number offers tumbleweeds lighted against the dark, at once humorous and thrilling. Poles, fire attached to the ankles and skateboards are also employed to great effect especially in the short segment in which two women move through space held on horizontal poles.

Steven Ezra as the Gila Monster. Photo Charles Azzopardi.

Steven Ezra as the Gila Monster. Photo Charles Azzopardi.

But about that gila monster: the spectacle of a man rising in the air propelled largely by the strength of his arms is amazing in the original sense of the word. The head of the monster pulls off terrifying expressions while the beast crawls forward, its whole being charged with energy.

The only piece of choreography that didn’t thrill was the final number with a huge puppet and women on swings. Some elements of MOMIX are brief like the one in which members of the company stand on their lit-up heads; others are more extended while the whole captures an otherworldly feeling.

The soundtrack is drawn from multiple sources including The Winds of Warning, Nomad and The Edge, meshing brilliantly with the performers’ movements.

This dessert is a reprisal of the work performed twelve years ago when Opus Cactus was first seen. This time we have outstanding work by Anthony Boccini, Beau Campbell, Samantha Chiesa, Greg Dearmond, Steven Ezra, Lauren Jaeger, Sara Nachbauer, Matt Ortner, Rebecca Rassmussen and Jason Williams. Artistic Director Moses Pendleton, co-founder of Pilobus Dance Theater formed MOMIX in 1980; has worked in film and television and is an avid photographer whose work has been shown widely. He choreographed the “Doves of Peace” segment of the 2014 Sochi Olympic Opening Ceremony starring Russian ballerina Diana Vishneva of the Kirov.

With nothing more than light, shadow, props, and the human body, MOMIX has astonished audiences on five continents for more than 37 years. It’s a wonderful, totally engrossing experience.

Mari S. Gold

About Mari S. Gold

Mari S. Gold is a freelance writer who contributes to many magazines and websites. Her blog, But I Digress… , on cultural events, travel, food  and other topics is at www.marigoldonline.net. She lives in New York City.

Leave a Comment

Your email address will not be published. Required fields are marked *

A tip for our readers: How to get the most out of New York Arts and The Berkshire Review for the Arts.
What if I hate reading on computer screens, even tablets?
We get occasional inquiries from readers about whether we plan to launch a print edition of our arts journals. The answer is that we've given it some thought, and we're still thinking about it.
It is not only our older readers who object to reading them online. There are even some millennials who would rather read from paper. One of our readers got the simple idea of using the sites as sophisticated tables of contents. She prints out each article on three-hole paper and files them in a loose-leaf album. I've devoted a lot of time to finding the very best print and pdf facility there is. Just click on one of the icons at the top right of the article and print!
Click here to make your tax-deductible donation to The Arts Press, publisher of New York Arts and The Berkshire Review. Or click on the notice in the sidebar. The Arts Press is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of The Arts Press must be made payable to“Fractured Atlas” only and are tax-deductible to the extent permitted by law.