Author Archive: Mari S. Gold

Mari S. Gold

Mari S. Gold is a freelance writer who contributes to many magazines and websites. Her blog, But I Digress… , on cultural events, travel, food  and other topics is at www.marigoldonline.net. She lives in New York City.

Soaking Wet with the Beyond the Bang Group at the West End Theater

David Parker, Founder of The Bank Group

First up, an entirely delightful amuse-bouche minus title or program reference with Jeffrey Kazin, co-producer of The Bang Group, clapping the rhythms and Chelsea Ainsworth in pointe shoes tapping to the beat. As Kazin clapped an elaborate pattern Ainsworth echoed it; the couple then moved from the feet up the body incorporating other takes on percussion as she drummed on his torso and he slapped the ground. Juilliard grad Ainsworth was back in Two is You and deserves a shout-out for her expressive approach that maximizes every step.

Living While Dying

dying and dying and dying by MB Dance

According to choreographer Maria Bauman, the work is a meditation on various kinds of endings, positive and negative. Bauman, Gibney Dance’s 2017 Community Action Artist in Residence, says she feels charged with alive-ness while at the same time embracing the paradox of multiple deaths happening every moment; dying and dying and dying is the result of dancing that paradox.

Overeager: One Night Only (running as long as we can) — Monica Bill Barnes and Company at the WP Theater

Anna Bass and Monica Bill Barnes in One Night Only (running as long as we can)

first saw Monica Bill Barnes performing Three Acts, Two Dancers, One Radio show and was charmed. Besides their obvious physical skills, Barnes and her sidekick, Anna Bass, were full of humor with an underlying sweetness pleasantly at odds with their somewhat tough physiques and staccato moves. Then I participated in The Museum Workout, following Barnes and Bass through galleries, up and down stairs at the Metropolitan Museum of Art, a group of us running and stopping to pump arms along the way which was an entertaining experience if not my ideal approach to enjoying art.

The Three Musketeers at The Classical Theatre of Harlem

The Three Musketeers By the Classical Theatre of Harlem. Photo Richard Termine.

It’s all for one and one for all in Classical Theatre of Harlem’s (CTH) The Three Musketeers written by Catherina Bush as adapted from the novel by Alexandre Dumas. Under the sky at the wonderful Richard Rogers Amphitheater in Harlem’s Marcus Garvey Park, the cast sings a little, dances a little, crosses swords a lot and generally has a good time.

MOMIX dance Opus Cactus and more at the Joyce.

Steven Ezra as the Gila Monster. Photo Charles Azzopardi.

The desert blooms in wondrous ways with all manner of flora and fauna in Momix’ Opus Cactus, conceived by Moses Pendleton. The company members, self-described as “illusionists” are as athletic as Olympians. During the performance they appear as giant saguaros, tumbleweeds, fire dancers and a four-person, slithering Gila monster, with all these figures emerging from an ingenious use of costumes, lighting, and the human body. Mostly it’s about the suppleness of the dancers (though some argue that this isn’t exactly dance) and their staggering physicality. Very creative costumes and lighting also contribute.

The 36th Bloomsday at Symphony Space, 2017

James Joyce, circa 1922

The thirty-sixth celebration of Bloomsday at Symphony Space, originally conceived by SS ‘s late founder, Isaiah Sheffer, was a fitting tribute to Ulysses and its author, James Joyce. With a projection of Joyce’s face looking down on either side of the stage, the audience reveled in panel discussions; music including a beautiful rendition of Love’s Old Sweet Song, as discussed by Molly Bloom in the book and a “Whirlwind Tour through all 18 Episodes.” This Joyce fest offered something for even the most die-hard fan.

Legacy 36 Celebrates the Stars—A Line of Former Rockettes

Legacy Dancers Performing New York, New York

The famed Radio City Music Hall Rockettes, that high-kicking, glam- or- bust line of tap dancing women, began in St. Louis as the Missouri Rockets. The troop was brought to New York City to perform at the Roxy Theater where they were known as the Roxyettes and then, as part of the Christmas spectacular, came to Radio City, where they were rechristened The Rockettes.

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