Author Archive: Mari S. Gold

Mari S. Gold

Mari S. Gold is a freelance writer who contributes to many magazines and websites. Her blog, But I Digress… , on cultural events, travel, food  and other topics is at www.marigoldonline.net. She lives in New York City.

Ballet Hispanico at the Joyce Theater

Ballet Hispanico, Show.Girl..Photo Grant Halverson

his program, divided into three sections, showed the company in very different lights. Up first, Show. Girl, with choreography by Rosie Herrera, costumes by Diana Ruettiger and lighting by Joshua Preston, uses the “Cuban cabaret ethic” to put forth dances that don’t have much relationship to each other. Show. Girl opens with a line of women in columnar pink dresses with deep slits on both sides, moving rhythmically to silence other than the occasional slaps they give themselves. It’s a bit unsettling. After a time, they sing a banal song about a turtle and move in the creamy light, posing for one another and the audience.

Injustice for All: Lucy Thurber’s The Insurgents at the Labyrinth Theater

Cassie Beck in "The Insurgents"

very character in The Insurgents, a new play by Lucy Thurber at The Bank Street Theater, is or has been disenfranchised. Sally Wright, played by Cassie Beck, has lost her athletic scholarship and returns to a dead-end, no hope town in the rural Northeast, joining her father, a drinker and womanizer and her brother who can’t get anything right.

Ballet 422, a Film by Jody Lee Lipes at Lincoln Center

The New York City Ballet dances Paz de la Jolla.

Just after Justin Peck goes on stage to acknowledge the applause as the choreographer of Paz de la Jolla, a new ballet, he leaves and goes backstage. He walks to a small dressing room where he takes off his dark suit, puts on makeup and his costume and, responding to the PA summoning dancers to the stage, goes back downstairs to perform in another ballet.

The Nutcracker, A Valentina Kozlova Dance Conservatory Performance Project

This version of the beloved holiday classic, The Nutcracker, is less a focus on technical brilliance and more a charming family event with a host of young (and very young dancers). I went with two teenage girls, both veterans of other performances including the iconic New York City Ballet version. We agreed that the dancers worked hard and danced their little hearts out and that a huge amount of time and effort, to say nothing of a lot of rehearsals, went into the performance.

Mikhailovsky Ballet Performs The Flames of Paris

Move over Les Miz! The Flames of Paris is an opulent, highly muscular, charged ballet that’s mass entertainment complete with sward-fighting, clog dancing, folk music and enough revolutionary zeal to please any audience. It also makes the French Revolution look like an event that took place between dessert and coffee – no guillotines, no blood and almost no tragedy if you don’t count the two on-stage deaths that register more as plot lines than emotional grabbers.

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