New York Arts > Articles by: Michael Miller
Two of the best recordings of Messiah are among the most recent. They could not be more different; one is is an eclectic text performed by larger forces using modern instruments, Sir Colin Davis’ most recent version, a live performance recorded at the Barbican in December 2006, the other a performance of the Dublin version of 1742 by a small consort using historical performance practices; but they are unquestionably among the finest performances of Handel’s masterpiece ever, and only a listener who has a seated prejudice against one mode of performance or the other could have any reason to choose between them. One must have both. And don’t forget Malcolm Sargent’s classic 1945 performance with the Liverpool Philharmonic and the Huddersfield Choral Society, available in a superb transfer on Dutton Records, for something completely different!