OMD

Why Draw? 500 Years of Drawings and Watercolors at Bowdoin College, May 03, 2017 – September 03, 2017

Lois Mailou Jones, A Student at Howard, 1947. Watercolor over graphite on off-white wove paper.

Between the limits of the discipline, as it is taught in graduate schools, and the structure of museological functions, exhibitions of drawings usually adhere to a restricted range of formats, which, while continuing to be viable for institutions and the public and useful for scholars in the field, can be felt as constricting for those who conceive and execute them. The scope of drawings exhibitions can be determined by time and/or place (stylistic categories), or an artistic personality (monographic), or collection (“Treasures on Paper from…”), and perhaps a few others. When a curator is faced with such a project, he may may find himself wrestling with an urge to break the mold and create something new.

The Berlin Painter and His World: Athenian Vase-Painting in the Early Fifth Century B.C. at The Princeton University Art Museum, closing Sunday, June 11, 2017 (REVISED)

Attributed to the Berlin Painter, Greek, Attic, fl. ca. 500-ca. 460 B.C. Red figure Neck-Amphora with Twisted Handles, ca. 480 B.C. Satyr Running with Wineskin. Staatliche Antikensammlungen und Glyptothek München (Inv. 8766)

Of all the exhibitions in the New York area this season, Princeton’s The Berlin Painter and His World is the richest in aesthetic pleasure, methodological sophistication, and intellectual liveliness. Not only will visitors enjoy the handwork of one of the greatest Greek artists of the Late Archaic Period, they will experience a panorama of ancient Greek mythology, religious practice, athletic and military activities, and sympotic customs, that is, the etiquette and enjoyment of the all-male drinking parties that were the major nucleus of Athenian social life after the great annually-recurring festivals of their gods and heroes. These windows which provide such a vivid view on the outer and inner lives of the Athenians were painted on the surfaces of pottery turned with the beautiful red clay of Attica…

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