Archive for the ‘Photography’ Category
W. B. Yeats and Ireland: Photographs, Music, and a Reading, with Dorien Staljanssens, James Cleveland, and Lloyd Schwartz—a Christmas Gift from New York Arts
In the spirit of the Twelve Days of Christmas as a time for quiet reflection and a turning inwards, we’d like to offer a gift of a recording of New York Arts‘s second performance event, held on June 1, 2013, at 7 pm, in connection with my own exhibition of photographs of Western Ireland at the Centerpoint Gallery in New York City: a reading/concert in which the acclaimed poet, Lloyd Schwartz, Senior Classical Music Editor of New York Arts, read poems by W. B. Yeats with interludes of traditional Irish music played by Dorien Staljanssens, flute, and James Cleveland, fiddle.
“I certainly feel lucky to have been working during this period,” said Nathan Benn, one of the masters of Kodachrome along with his older contemporaries William Eggleston (b. 1939) and Stephen Shore (b. 1947). Benn shot for National Geographic Magazine from 1972 ti 1991, documenting people and places around the globe. He recently collected 108 of his images from the period, photographs of the Northeast, Midwest and parts of the southern United States, in a stunning coffee-table book, “Kodachrome Memory, American Pictures 1972-1990” published this year by Powerhouse Books in Brooklyn, New York.
Photographer Max Hirshfeld, who came to Washington, DC, in 1969 from a small, Southern town, has always been fascinated with “the other Washington,” as he calls it, the creative community in the city that has nothing to do with the federal government. This spring he began photographing key players in the DC art scene—poets, novelists, actors, directors, critics, dancers, architects and patrons—and the result is a stunning series of 33 portraits, called “Illuminaries,” now on display at Hemphill Fine Arts in downtown Washington through July 27th. It is part of the gallery’s larger exhibit on the Artist-Citizen.
New York dealer Robert Burge, who specializes in 20th century photography, described this year’s three-day AIPAD fair, which concluded April 7 at the Park Avenue Armory in New York, as “more buoyant than previous years.”
“Contemporary photography is always a tougher sell than well-known vintage work,” he said, “but people were buying, writing checks. There was less talk about spousal approval…”
Now in its 33rd year, The Association of International Photography Art Dealers (AIPAD) annual exhibition attracted 82 dealers from around the country and a smattering of foreign cities, including London, Paris, Berlin, Buenos Aires, Sydney, Osaka, and Jerusalem. The show traditionally has strength in fine, museum-quality vintage prints, but the show-stoppers this year were primarily contemporary photographs, many the product of digital manipulation, which seems to have moved into a new phase with gimmickry giving way to photographs that more closely resemble fine art—and are stunningly beautiful. The images are fresh and original and, indeed, visitors responded with their wallets.
Leonard Freed, The Italians (Io amo l’Italia), exhibition now at Ersel, Torino, until July 31, 2012.
Leonard Freed, The Italians, Quantuck Lane Press, 2011, exhibition now at Ersel, Torino, through July 31, 2012. The great documentary art photographer’s warm-hearted, but sharply observed takes on Italian life between 1956 and 2005 appear in 190 superb duotone illustrations. With an introductory essay in English and Italian by Berkshire Review/New York Arts editor, Michael Miller. […]
The Hudson River: A Great American Treasure Photographed by Greg Miller, Foreword by Bill McKibben, Introduction by Ned Sullivan Rizzoli 2008 $50.00 (US), $57.50 (CAN) ISBN: 978-0-8478-3152-4 (0-8478-3152-3) A selection of 18 photographs is on exhibition at the Rensselaerville Institute through May 31. The Romantic Landscape: Photographs in the Tradition of the New York Hudson […]
Police Work: Photographs by Leonard Freed, 1972-1979, at the Museum of the City of New York, Dec. 20, 2011 – Mar 18, 2012
A selection of vintage prints from Leonard Freed’s book, Police Work (1980) recognizes the gift of Freed’s widow, Brigitte Freed of this material. As powerful an observer of human life as he was a photographic artist, Freed spent eight years observing the work of the New York Police Department. In his prefatory note to the […]
Can we still call photography a young market in the art world? If we look back to the 17th century sales of paintings, drawings, and antiquities, yes, obviously, but also, there is enough work still on the market that most photography sales can offer a quite comprehensive survey of whatever field they may occupy. In […]