Bard Music Festival

Bard Summerscape, Bard College, Richard B. Fisher Center for the Performing Arts

Aeschylus’ Oresteia at Bard, translated by Ted Hughes, directed by Gregory Thompson

Francis Bacon, Triptych Inspired by The Oresteia, oil on canvas, 1981

If I was at all distracted during the three intensely focussed performances at Bard’s Fisher Center, it was to pinch myself to make sure that I wasn’t dreaming. Gregory Thompson’s production of Aeschylus’ Oresteia seemed like a once-in-a-lifetime experience—a satisfactory production of ancient Greek drama in English. In fact it was more than satisfactory—far ahead of anything else I have seen. In fact if I have to qualify my estimate of its success in any way, it is for purely technical reasons: Mr. Thompson concentrated on the surviving element of of Aeschylus’ work, the text, and ignored dance and music almost entirely. On the other hand he was perfectly right in deciding on this solution. Whatever dance and music one might bring in would be either an insufficiently documented reconstruction or a modern recreation in a modern idiom, and Aeschylus’ verse is sufficiently rich and complex to make it advisable to concentrate on that alone. Every actor delivered Ted Hughes’ lucid, noble, and colorful English with supreme clarity and ease, so that the audience could make close contact with the meaning and beauty of the language, as well as the elegance and expression of the actors’ delivery. The power of this brilliant production lay in its honesty and directness.

Chekhov’s Uncle Vanya, directed by Erica Schmidt, at Bard Summerscape, 2008

Uncle Vanya by Anton Chekhov Bard Summerscape Fisher Center for the Arts, Theatre 2 July 16, continues through July 20 translated by Paul Schmidt Directed by Erica Schmidt Mark Wendland, set designer Michelle R. Phillips, costume designer David Weiner, lighting…
Read more

Bard Music Festival 2009 – Wagner and His World, August 14-16 and August 21-23, 2009

Of all the events in the year, I can’t think of anything I anticipate quite as keenly as the Bard Music Festival, which is dedicated to exploring the life and works of major composers in the broad context of the culture in which they lived.

[caption id="attachment_256" align="alignright" width="298" caption="Richard Wagner in 1873"]Richard Wagner in 1873[/caption]
A tip for our readers: How to get the most out of New York Arts and The Berkshire Review for the Arts.
What if I hate reading on computer screens, even tablets?
We get occasional inquiries from readers about whether we plan to launch a print edition of our arts journals. The answer is that we've given it some thought, and we're still thinking about it.
It is not only our older readers who object to reading them online. There are even some millennials who would rather read from paper. One of our readers got the simple idea of using the sites as sophisticated tables of contents. She prints out each article on three-hole paper and files them in a loose-leaf album. I've devoted a lot of time to finding the very best print and pdf facility there is. Just click on one of the icons at the top right of the article and print!
Click here to make your tax-deductible donation to The Arts Press, publisher of New York Arts and The Berkshire Review. Or click on the notice in the sidebar. The Arts Press is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of The Arts Press must be made payable to“Fractured Atlas” only and are tax-deductible to the extent permitted by law.