BAM’s New Wave Festival, from the effervescent anticipation in the lobby to the usually outstanding, rarely boring activities on its stages, must surely be one of the most upbeat environments one can find in New York. One event among those I attended stood out, because of the particular excitement of the capacity audience: the world premiere of Hagoromo, a multi-media work combining dance, puppetry, singing, and instrumental performance—all so artfully combined that the rest of the theatrical ensemble, sets, lighting, and costume, sprang into life in a rare way. The performance made itself felt in the audience before it even began. It was a diverse crowd, a bit different from what one routinely observes at BAM, certainly better dressed than usual. It seemed that this performance exerted an equally powerful attraction on fans of dance, contemporary music, and even fashion, lured by the costumes of the designer, Dries van Noten.