Archive for the ‘Film’ Category
Simon Callow, in his biography of Orson Welles, cites the Mercury actor, William Alland, on Welles’ personal devastation caused by the failure the company’s 1938 revival of William Gillette’s (1853-1937) Too Much Johnson (1894). According to Alland, who was with him most of the time, Welles “retired into his air-conditioned tent at the St. Regis, where he lay in darkness surrounded by 25,000 feet of film…convinced that he was going to die, racked by asthma and fear and despair.” Alland reported “the self-vilifications and the remorse for what he had done to those around him…” Although Welles returned to work and to his favorite diversions soon enough, it is clear that the failure of Too Much Johnson was a major defeat for him.
ONE-NIGHT-ONLY screening of the newly restored “Too Much Johnson” in New York, Monday, Nov. 25 at the Directors Guild of America Theater, 110 West 57th St.
If anyone needs no introduction, it is Orson Welles, although he in fact introduced himself countless times to movie and television audiences, above all in his many appearances in commercials, and even to live audiences. There is as much misinformation about him as there is about George Washington. (For one thing, Citizen Kane is not his best film, as impressive as it is.) As with any artist, we have to understand his life work as a whole, as compromised as some of it may be, before making judgments and creating hierarchies. The varied activities he pursued—in some cases with substantial success—before he made Citizen Kane are familiar enough, even outside the world of cinephiles, but not everyone has thought about how they worked together to bring him within reach of the innovations of Kane.
Good People Go to Hell, Saved People Go to Heaven – Holly Hardman’s documentary about Hurricane Katrina and the End Times
Holly Hardman begins her important film, Good People Go to Hell Saved People Go to Heaven, with words in white lettering against a black background—words in a basic, analytical form, first the word “rapture” followed by a series of common synonyms—euphoria, elation, bliss, etc.—then a dictionary definition of the expression, “the Rapture,” Theology; aspect of Apocalyptic Millennialism. In Evangelical and fundamentalist Christian belief, the act of being lifted by Jesus into heavenly skies upon the Second Coming, either before, during, or after the Tribulation (a time of great suffering for those left behind on earth).” Before any moving image appears, we hear a strange, incoherent hissing sound, which becomes clearer as we observe a strapping man in early middle age. The man, who wears biblical robes and flowing hair and beard, is muttering the name of Jesus, as he carries a large cross along a highway. Then he half-chants, “Jesus have mercy, Lawd.” The cross has a small wheel or caster at its base to facilitate the bearing of it. This practical touch hints that the man is not carrying out some fanatical penance, but working.
For a man of the 1970s, Travis Bickle spends a lot of time looking at and through screens. His world is nearly always framed, either by a movie screen, an old TV, a windshield, a shop window or a rear view mirror. As Travis would know, at the movies everything is bigger than on TV. […]
Terrence Malick’s The Tree of Life (Read Huntley Dent’s review of The Tree of Life in the Berkshire Review, an International Journal for the Arts.) Cast: Mr. O’Brien, Brad Pitt Mrs. O’Brien, Jessica Chastain Young Jack O’Brien, Hunter McCracken Adult Jack O’Brien, Sean Penn R. L. (Middle Son), Laramie Eppler Steve (Youngest Son), Tye Sheridan […]