Archive for the ‘Music’ Category
There is a special feeling at Davies Hall in summer. The weather is balmy, if we are lucky. The sun is still up as the concert begins. But our hair is let down. Children are present, and young people dot the aisles in remarkable stages of undress. The air of eager informality is like a visit to the movies—minus the smell of popcorn. And, musically speaking, here we sometimes get the chance to hear romantic rarities we secretly love.
This year’s Festival of Contemporary Music at Tanglewood was celebrating the 75th anniversary of the founding, by legendary BSO Music Director Serge Koussevitzky, of the Tanglewood Music Center, one of the great arts educational projects in this country and still going strong. Curated by composers and Tanglewood gurus John Harbison, Michael Gandolfi, and Oliver Knussen (who couldn’t attend or conduct as scheduled because of a visa problem), it was on the whole one of the livelier festivals—more focused if not quite as eclectic.
This is the first Bard Music Festival, Carlos Chávez and his World, to be devoted to music from south of the border. Up here, Central and South Americans were much more prominent in the classical music world in Chávez’s time (1899-1978) than they are in the present. Today most concert-goers see this music through the window of Gustavo Dudamel and all his good works, and El Sistéma from which he emerged, is all the rage among music educators, possibly destined to become something like a Suzuki method of the twenty-first century.
I had the good fortune of catching the San Francisco Symphony Youth Orchestra by the tail last month, just as they set out on their tenth European tour. The orchestra has been wowing audiences at the Philharmonie, the Concertgebouw and the Mariinski ever since 1986. I suspect they will make a similar impact this time, under the baton of Donato Cabrera, who also stewards the Las Vegas Philharmonic and California Symphony these days.
It is always a pleasure to be in the Cape Ann harbor town of Rockport and to attend musical events in the beautiful Shalin Liu recital hall with its glass wall looking out to sea. The June 26th concert provided a striking contrast in styles of Baroque era music, with works of Bach and Handel, respectively, in the two parts of the program. The listener was invited into an emotional journey from darkness to light.
Charles Dutoit conducts The San Francisco Symphony in Stravinsky, Elgar, and Mussorgsky/Ravel, with Gautier Capuçon, Cello
It’s hard to recall a time when Stravinsky’s music carried with it the suggestion of impossible modernism. But it did—once. The appearance of Petrouchka on TV in 1960 made the viewer feel quite daring, I remember. It was “dissonant.” And the Rite of Spring, with all those purpose-led insect lives and braying jurassic fossils was just plain intimidating. Little did we know then that dinosaurs were merely large chickens and Stravinsky himself, if not exactly a pussycat, then about as threatening as a Russian wolfhound on Stupid Pet Tricks.
The recent biennial weeklong Boston Early Music Festival (June 14-21) drew unusual attention for presenting full stagings of all three of Monteverdi’s surviving operas (Orfeo, The Return of Ulysses, The Coronation of Poppea) plus the Vespers of 1610. This in addition to the Festival’s usual 9 a.m. to midnight concerts of a great variety of music from the Middle Ages to Bach, featuring noted performers from all over the world. Enthusiasm ran high all week and audiences were large, especially for the Monteverdi events.