Archive for the ‘Music’ Category
Steven Kruger—with the kind permission of Fanfare Magazine—here begins a series of reviews of recorded music. All these are from CDs and SACDs, but of course the download is rapidly becoming a more important source for recordings. Of course the rest of us will be chipping in as well!
MTT leads the San Francisco Symphony in Ravel Rossini, and Respighi, with Daniil Trifonov Playing Chopin’s Second Piano Concerto
Davies Hall, San Francisco September 26, 2015 The San Francisco Symphony Michael Tilson Thomas, conductor Daniil Trifonov, piano Ravel – Menuet Antique (1895/1929) Chopin – Piano Concerto No. 2 in F minor, Opus 21 (1830) Rossini – Overture to The Silken Ladder (1812) Respighi – Roman Festivals (1928) I confess I found myself in Davies […]
The Bach Choir of Bethlehem’s Upcoming Season, with a Backward Look at the Bach Festival in May 2015
The Bach Choir of Bethlehem surely must be one of the most extraordinary musical institutions in the world. Situated a small city with an important industrial history, now entirely in the past, the Bach Choir has a tradition connecting it with a point in the performance history of Bach’s music which antedates the Mendelssohnian Bach Revival by six years. Bethlehem can also be proud that this venerable institution did not emerge from the indulgences of the city’s wealthiest families, but from the religious traditions of the Moravian Protestants who settled there in the 18th century. Following the precepts of Martin Luther, they held their musical traditions in high esteem.
As the Bard Music Festival has sailed through the great names in European and American music over the past twenty-five years—although there are some people who don’t like Elgar, Liszt, or Wagner, and some who doubt Saint-Saëns’ or Sibelius’ importance (if they attended the Festival they left with their minds changed)—the focal points of the festival have been generally unchallenged. This year, with Carlos Chávez, the first composer from south of the border, there has been more debate. Many attendees—and especially non-attendees—questioned the worthiness of Carlos Chávez as a subject. He is largely forgotten, and many of those who do remember him, do not think of him kindly. Even Leon Botstein himself expressed a critical attitude towards Chávez,
Ian Hobson – “Preludes, Études, Variations,” Concert 1 of 6: Chopin, Rachmaninoff, and Stephen Taylor
Ian Hobson‘s last appearance in New York was an ambitious Brahms cycle in September-October 2013. Extending over six weeks, it offered a comprehensive survey of Brahms’ solo music for piano and his chamber music for piano. I praised this enthusiastically at the time not only for the intelligence and sensitivity of the playing, but for the thoughtful programming, and the outstanding program book, with extensive essays by Paul Griffiths, O.B.E. Just last week, Ian Hobson began an equally ambitious series of six recitals, even more impressively organized, on a more abstract concept, bearing the title “Preludes, Études, Variations,” continuing monthly into April 2016, with this first concert, here reviewed, at Subculture, NYC, as well as the next on December 1. The rest will continue at Merkin Hall on the Upper West Side. This series is entirely solo, accompanied only by Mr. Griffiths’ incisive notes. In addition to 19th- and 20th-century classics of these three musical genres, there are world premieres of new works commissioned by Hobson for the series.
Frank Salomon talks to Michael Miller about the upcoming seasons for Musicians from Marlboro, the People’s Symphony Concerts, the Schneider Concerts, and more
Listen to the interview: This was yet another splendid summer at Marlboro. For sixty-four years now, first under the direction of Rudolf Serkin, then under Richard Goode and Mitsuko Uchida, now under Mitsuko Uchida alone, Marlboro has provided a unique environment for young musicians of the highest caliber to grow as artists and as […]
Naked came the pianist!
Or so it nearly seemed, as Yuja Wang made her way to the Davies stage last Saturday. This young performer always serves up classic delicacy spiked with erotic undulation. But nothing quite led us to expect the peek-a-lot raspberry dress, with its hip-high slit, diamond glam panels and full expanse of leg seen from the bench. This was nearly Bartók in a bikini. But nobody was complaining. Europe, take note. In America, all is not prudery!
There is a special feeling at Davies Hall in summer. The weather is balmy, if we are lucky. The sun is still up as the concert begins. But our hair is let down. Children are present, and young people dot the aisles in remarkable stages of undress. The air of eager informality is like a visit to the movies—minus the smell of popcorn. And, musically speaking, here we sometimes get the chance to hear romantic rarities we secretly love.