Music

A Crop Of Recordings VII: Music of Walton, Zemlinsky, Goldmark and Ibert

Jacques Ibert.

It has taken time for Sir William Walton’s Second Symphony to find a secure place in the repertory. But I think this new CD from Edward Gardner and the BBC Symphony fully confirms its place in the canon and right to be there. Walton is the sort of artist, like Oscar Wilde, who interests sociologists, because he hides depth in the shallows.

Christina Kobb Talks to Michael Miller about Historical Keyboard Technique

Christina Kobb, Pianist

The Norwegian pianist and scholar Christina Kobb came to wider attention in the United States when a New York Times writer picked up an article in a Scandinavian science magazine about neurological research carried out on her to analyze her movements as she played an electronic keyboard using modern and nineteenth century technique, which she has researched in her dissertation.

The San Francisco Symphony Youth Orchestra, Donato Cabrera, conductor, with Chen Zhao, violin, and Katie Kadarauch, viola in Mason Bates, Mozart, and Bartók

San francisco Symphony Youth Orchestra, 2014. Photo Kristen Loken.

Mason Bates will surely forgive us–if I suggest the San Francisco Symphony Youth Orchestra out-deviled everyone at this concert!

For a Saturday afternoon in May, Davies Hall was well attended, with a more jovial parental buzz than usual. Lots of children were in the audience. Hope springs eternal they won’t fidget–utopian when dealing with three-year-olds inclined to crawl. One of the forward boxes resembled a puppy-pen throughout, with lots of motion, aleatoric burbling and various appendages attempting to escape the banister. But no matter.The music won.

A Crop Of Recordings VI: Symphonic Works by Strauss, Prokofiev, Mahler and Sibelius

Gustav Mahler.

There is nothing more cozy and comfortable in the symphonic canon than the harmless narcissism of Strauss’s “domestic” symphony, originally titled “My home. A symphonic portrait of myself and my family.” Just how tasteful it all is has been a subject of debate ever since 1903, of course. As Peter Ustinov famously said of the composer: “I knew I wouldn’t like his wallpaper.” As it turned out, he didn’t.

Alan Gilbert Conducts the New York Philharmonic at Davies Hall, San Francisco

Alan Gilbert conducts New York Philharmonic. Photo © Chris Lee.

Davies Hall , San Francisco The New York Philharmonic Alan Gilbert, conductor May 6, 2016 Beethoven—Egmont Overture, Opus 84 Beethoven—Symphony No. 7 in A major, Opus 92 ***** Sibelius——-Symphony No. 7 in C major, Opus 105 Sibelius——-Finlandia, Opus 26 “My…
Read more

A Crop Of Recordings V: French Rarities by Emmanuel, Saint-Saëns, Chausson, Bizet, Magnard, Duparc and Berlioz

Maurice Emmanuel in the 1930s. Photo from Bibliothèque Musicale Mahler, fonds Maurice Emmanuel

Every so often a release comes along which serves to remind listeners that a particular national repertory is not always so well known to us as we think. Not all beloved works cross the pond. This has a lot to do with immediacy and easily recognizable, iconic tunes.

Edwin Outwater Conducts the San Francisco Symphony in Weber, Saint-Saëns, Busoni and Hindemith

Edwin Outwater. Photo © edwinoutwater.com.

Davies Hall, San Francisco January 29, 2016 The San Francisco Symphony Edwin Outwater, Conductor Stephen Hough, Piano Weber — Oberon Overture (1826) Saint-Saëns — Piano Concerto No. 5 in F major, Opus 103, Egyptian, (1896) Busoni — Music from Turandot Suite, Opus 41 (1905)…
Read more

A Crop of Recordings IV: Enescu, Suk, Poulenc, Martinů, Tchaikovsky

George Enescu and violin. From romaniapozitiva.ro

As collectors know, exploring outside the basic repertory is often both frustrating and rewarding.  The search for significant neglected music, one learns early, is not so easy as it appears. Many worthy pieces one falls in love with turn out to be partial works of genius, with uninspired moments we choose to forgive, defects of length and proportion, or performing requirements condemning them to obscurity.

A tip for our readers: How to get the most out of New York Arts and The Berkshire Review for the Arts.
What if I hate reading on computer screens, even tablets?
We get occasional inquiries from readers about whether we plan to launch a print edition of our arts journals. The answer is that we've given it some thought, and we're still thinking about it.
It is not only our older readers who object to reading them online. There are even some millennials who would rather read from paper. One of our readers got the simple idea of using the sites as sophisticated tables of contents. She prints out each article on three-hole paper and files them in a loose-leaf album. I've devoted a lot of time to finding the very best print and pdf facility there is. Just click on one of the icons at the top right of the article and print!
Click here to make your tax-deductible donation to The Arts Press, publisher of New York Arts and The Berkshire Review. Or click on the notice in the sidebar. The Arts Press is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of The Arts Press must be made payable to“Fractured Atlas” only and are tax-deductible to the extent permitted by law.