New York Arts

The Sixth Concert Series at Camphill Ghent is about to begin with a Recital by Pianist Gilbert Kalish

The Sixth Concert Series at Camphill Ghent, Gili Melamed-Lev, Director In my preview of last year’s concert series, I believe I may have used some culinary metaphor to characterize the general tendency of the programming. While you will hear some…
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Urban Planning: A Manifesto

The people of New South Wales have been anticipating the upcoming state election almost since the last election four years ago, never a good situation. As regular readers of our dispatches from Sydney know, the soon to be defeated Labor Government has for the past sixteen years, with its inimitably bland, shiny-suited glee, trashed poor old Sydney. A place which with the slightest effort could be the most beautiful city in the world has instead deteriorated into a kind of Los Angeles without a Raymond Chandler, a Melbourne without intricacy, a Singapore without ambition.

One of the most urgent tasks facing the next state government will be the reform of NSW’s broken planning system, a system I saw in action (if that is the right word) during the disillusioning two years I spent in a cubicle at the NSW Department of Planning.

Serenade for Haiti, Directed and Written by Owsley Brown, at the Berkshire International Film Festival, June 3

Among the rich offerings of the 2017 Berkshire International Film Festival, one of the most fascinating and important films will be Owsley Brown’s documentary, Serenade for Haiti. The film could be described as an extended visit to the École de Musique Sainte Trinité in Pétionville, a suburb of Port-au-Prince. Mr. Brown, who had made other films about music and its role in human society and spirituality, first visited the school in 2006, and was, as he has said, “greatly affected by what [he] found there.”

Three Concerts at Camphill Ghent, two Past, one to Come

Off-season musical life is not as thin in the Hudson Valley as it is in the Berkshires, but, whatever the general situation, the Concerts at Camphill Ghent, founded and directed by pianist Gili Melamed-Lev, stand out for their exceptional quality, one month after another. As I have mentioned elsewhere, these concerts, which usually sell out weeks before the concert date, take place in the intimate performing arts hall of Camphill Ghent, a residential community for elders in Chatham, New York. This particular article will offer a preview of the upcoming March concert, which is actually based on an abbreviated version of the program the Lev-Evans Duo played at a house concert in Stockbridge last month, and reviews of two previous concerts at Camphill Ghent.

Rascals, an Inspired Restaurant and Performance Space in the Crossgates Mall, Albany (Permanently Closed)

(Permanently Closed)

In cooking, as in any art, you have to know the rules—the more profoundly the better—to break them. While en route, appropriately enough, to Albany, I heard a radio interview with the manager and the chef of a new restaurant near the University of Albany. As I threaded my way through the rolling hills and forests that separate the capital of New York State from the Berkshires, slowing in all the notorious speed traps, I found this interview unusually absorbing. The chef, Nicholas Armstrong, was impressively articulate about the science of cooking

B. F. Kiefrich, Spam Artist, Remembered

You may wonder about my interest in this traditional American delicacy. It comes not from the interests I share with Sgr. Rossini, but from my experiences as a curator in the Cleveland Museum of Art. As my colleagues and I pushed papers and watched western civilization melt into Lake Erie, a remarkable artist from Akron came to our attention. This artist, who worked under the name B. F. Kiefrich, produced sculptures from Spam®, among them an exquisite gilt miniature Book of Hours, known as the Codex Spambergensis and a porcine version of Nefertiti’s lips.

The Concerts at Camphill Ghent 2016 – 2017: Season Opening Concert Coming Up, October 15, 3pm

A relatively new chamber music series in our area, The Concerts at Camphill Ghent, extending through the rather sparse autumn through spring months, has just recently come to my attention, and it looks well worth a season subscription. Every concert is compelling, and they all fit together as a whole. Clearly some strong consideration has gone into the selection of both the music and the musicians. The series was founded and is managed by a musician, the outstanding pianist, Gili Melamed-Lev, who oversees the programming and participates extensively herself. This is by no means exceptional in itself, but the particular stamp she has put on it stands out.

Intimate Conversations, Bach and Beyond:
 Bach, Kabalevsky, Stravinsky, Mendelssohn, and Telemann — Kenneth Cooper and Friends at Camphill Ghent

From left to right: Lucy Bardo, Kenneth Cooper, Joel Pitchon, Gili Melamed-Lev, and Judith Mendenhall.

It is perhaps best to begin this review with a word of practical advice. This concert was sold out. The hall at Camphill Ghent is rather small. Seating is general. So for future events, you would do well to buy your tickets early and to arrive early. But that should be no hardship. It will give you all the more opportunity to meet members of the Camphill Ghent community and others who live in the area, and that can only add to the pleasure of the concert. As far as seating goes, all the instruments in this program, with their wide but compatible range of color and dynamics came through with clarity, warmth, and strength, and I got the impression that that obtains in every part of this intimate space.

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