Archive for the ‘Podcasts’ Category
Frank Salomon talks to Michael Miller about the upcoming seasons for Musicians from Marlboro, the People’s Symphony Concerts, the Schneider Concerts, and more
Listen to the interview: This was yet another splendid summer at Marlboro. For sixty-four years now, first under the direction of Rudolf Serkin, then under Richard Goode and Mitsuko Uchida, now under Mitsuko Uchida alone, Marlboro has provided a unique environment for young musicians of the highest caliber to grow as artists and as […]
For its annual opera, Bard Summerscape has chosen Carl Maria von Weber’s seldom performed masterpiece, Euryanthe. Der Freischütz had been a great success at the Kärtnerthortheater in Vienna at its premiere in 1821, and the impresario Domenico Barbala lost no time in asking Weber for another opera of the sort. Weber, however, wanted to compose something different. He wanted to grow beyond the popular Singspiel alternation of spoke dialogue and sung numbers in favor of a freer flow of recitative, sung dialogue, and arias. Weber had considerable difficulty in deciding on a libretto, and he eventually persuaded Helmine von Chezy to take on the job—against her protests. She wrote the libretto for Schubert’s even more unsuccessful Rosamunde at the same time. Both premiered in 1823.) Euryanthe‘s failure in spite of Weber’s splendid music is generally blamed on the poor quality of Chezy’s verse and the involved, hard-to-follow plotline. Over the years, Euryanthe receives only occasional performances, but it has also aquired a passionate cult following, mainly on the basis of the excellent 1975 recording with the Dresdner Staatskapelle playing under Marek Janowski, and Jessye Norman and Nicolai Gedda, among the cast. Director Kevin Newbury and his team have worked hard to overcome Euryanthe‘s challenges, as Mr. Newbury likes to call them, and his discussion of them in this interview gives us every reason to be optimistic.
John Banville talks to Michael Miller about Love in the Wars, his English adaptation of Kleist’s Penthesilea
John Banville and Michael Miller discuss Love in the Wars, his free English adaptation of Heinrich von Kleist’s play, Penthesilea, with a digression about the rest of Mr. Banville’s work, before returning to the play, which will receive its world premiere at Bard College Summerscape. Kleist’s theatrical ambition was to fuse Greek tragedy with Shakespearean “burlesque.” The work shows his pessimistic world view spiced with black Prussian humor.
W. B. Yeats and Ireland: Photographs, Music, and a Reading, with Dorien Staljanssens, James Cleveland, and Lloyd Schwartz—a Christmas Gift from New York Arts
In the spirit of the Twelve Days of Christmas as a time for quiet reflection and a turning inwards, we’d like to offer a gift of a recording of New York Arts‘s second performance event, held on June 1, 2013, at 7 pm, in connection with my own exhibition of photographs of Western Ireland at the Centerpoint Gallery in New York City: a reading/concert in which the acclaimed poet, Lloyd Schwartz, Senior Classical Music Editor of New York Arts, read poems by W. B. Yeats with interludes of traditional Irish music played by Dorien Staljanssens, flute, and James Cleveland, fiddle.
An Interview with James Bagwell, Music Director of the Collegiate Chorale, Soon to Lead them in a Concert Performance of Boito’s Mefistofele
The Collegiate Chorale, as part of their famously diverse season, will present a single concert performance of Arrigo Boito’s Mefistofele at Carnegie Hall on November 6, 2013 at 8 pm.
In this concert production, the Collegiate Chorale will feature Eric Owens, one of the most intelligent and impressive singers of the present day, in the role of Mefistofele, with Arturo Chacón-Cruz, as Faust and Julianna Di Giacomo as Margherita. Mefistofele is no less a vehicle for the chorus, stressing as it does large-scale ensembles, with colorful evocations of devilry and witchcraft, angelic hosts, and solid fugues.
An Interview with Wu Han and David Finckel: Life after the Emerson Quartet and an Upcoming Concert at South Mountain Concerts
Along with the retirement of the Tokyo String Quartet, the departure of David Finckel from the Emerson Quartet has been one of the most discussed events in the world of chamber music over the past eighteen months or so. As people who have heard their concerts know, both David Finckel and the Emerson Quartet, now with the British cellist, Paul Watkins, in place, are as rich as ever in their contributions to our well-being as humans. Wu Han and David Finckel spoke with me just today about their new post-Emerson life, which allows David to travel and play more regularly with Wu Han as a duo and as a trio with Emerson violinist Philip Setzer, who will join them at the venerable South Mountain Concerts on Sunday, September 29, 2013. They will play Beethoven Op. 1, No. 2, Shostakovich’s Trio No. 2 in E Minor, Op. 67, and Dvořák’s Trio in E Minor, Op. 90, the “Dumky.”
I hope you enjoy our conversation about their past, present, and future as much as I did.
“Good Girls Only,” The Rehearsal Club Musical – an Interview with the Author of the Book, Charles Leipart
40 mins. While at the present moment the fur continues to fly over a small plot of Manhattan real estate, 45 West 53rd Street, on which the inscrutable, but oddly appealing former home of the American Folk Art Museum stands, few people remember a former occupant of the land, the Rehearsal Club, which, […]
Some months ago an email discussion arose among our writers and friends about César Franck’s D Minor Symphony. Steven Kruger, who heard the Chicago Symphony play the work under Riccardo Muti on a West Coast tour in February and reviewed the concert here, was surprised to learn from Alex Ross’s review of their New York […]