Podcasts

John Banville talks to Michael Miller about Love in the Wars, his English adaptation of Kleist’s Penthesilea

Heinrich von Kleist and John Banville

John Banville and Michael Miller discuss Love in the Wars, his free English adaptation of Heinrich von Kleist’s play, Penthesilea, with a digression about the rest of Mr. Banville’s work, before returning to the play, which will receive its world premiere at Bard College Summerscape. Kleist’s theatrical ambition was to fuse Greek tragedy with Shakespearean “burlesque.” The work shows his pessimistic world view spiced with black Prussian humor.

W. B. Yeats and Ireland: Photographs, Music, and a Reading, with Dorien Staljanssens, James Cleveland, and Lloyd Schwartz

Portrait of William Butler Yeats (1865-1939) by John Butler Yeats (1839-1922). National Gallery of Ireland.

In the spirit of the Twelve Days of Christmas as a time for quiet reflection and a turning inwards, we’d like to offer a gift of a recording of New York Arts‘s second performance event, held on June 1, 2013, at 7 pm, in connection with my own exhibition of photographs of Western Ireland at the Centerpoint Gallery in New York City: a reading/concert in which the acclaimed poet, Lloyd Schwartz, Senior Classical Music Editor of New York Arts, read poems by W. B. Yeats with interludes of traditional Irish music played by Dorien Staljanssens, flute, and James Cleveland, fiddle.

An Interview with James Bagwell, Music Director of the Collegiate Chorale, Soon to Lead them in a Concert Performance of Boito’s Mefistofele

James Bagwell

The Collegiate Chorale, as part of their famously diverse season, will present a single concert performance of Arrigo Boito’s Mefistofele at Carnegie Hall on November 6, 2013 at 8 pm.

In this concert production, the Collegiate Chorale will feature Eric Owens, one of the most intelligent and impressive singers of the present day, in the role of Mefistofele, with Arturo Chacón-Cruz, as Faust and Julianna Di Giacomo as Margherita. Mefistofele is no less a vehicle for the chorus, stressing as it does large-scale ensembles, with colorful evocations of devilry and witchcraft, angelic hosts, and solid fugues.

An Interview with Wu Han and David Finckel: Life after the Emerson Quartet and an Upcoming Concert at South Mountain Concerts

David Finckel and Wu Han

Along with the retirement of the Tokyo String Quartet, the departure of David Finckel from the Emerson Quartet has been one of the most discussed events in the world of chamber music over the past eighteen months or so. As people who have heard their concerts know, both David Finckel and the Emerson Quartet, now with the British cellist, Paul Watkins, in place, are as rich as ever in their contributions to our well-being as humans. Wu Han and David Finckel spoke with me just today about their new post-Emerson life, which allows David to travel and play more regularly with Wu Han as a duo and as a trio with Emerson violinist Philip Setzer, who will join them at the venerable South Mountain Concerts on Sunday, September 29, 2013. They will play Beethoven Op. 1, No. 2, Shostakovich’s Trio No. 2 in E Minor, Op. 67, and Dvořák’s Trio in E Minor, Op. 90, the “Dumky.”

I hope you enjoy our conversation about their past, present, and future as much as I did.

“Good Girls Only,” The Rehearsal Club Musical – an Interview with the Author of the Book, Charles Leipart

The creators and cast of "Good Girls Only": Back Row: George Lee Andrews, Eric Scott Reed (composer), Charles Leipart (book & lyrics), Larry Spivack (musical Director/Composer), Jamey Grisham, Kathleen Conry (Director), Ernestine Jackson, Denise Pence Boockvor (Producer). Front row seated: Jane Summerhays, Victoria Mallory, Randy Graff, Mary Lou Barber. Photo Sue Coflin.

    40 mins. While at the present moment the fur continues to fly over a small plot of Manhattan real estate, 45 West 53rd Street, on which the inscrutable, but oddly appealing former home of the American Folk Art…
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Ruth Reichl, Ellen Doré Watson, Patty Crane, Francine Prose, and Elizabeth Graver respond to Walker Evans’ “Kitchen Wall, Alabama Farmstead” now posted on the new Gastronomica online..with interviews with Darra Goldstein and Hannah Fries

Walker Evans, Kitchen Wall, Alabama Farmstead, 1936

As part of the second annual Berkshire Festival of Women Writers, Orion and Gastronomica co-hosted a reading featuring renowned food writer Ruth Reichl, poets Ellen Doré Watson and Patty Crane, and fiction writers Francine Prose (finalist for the National Book Award) and Elizabeth Graver. Their contributions have now been posted on the new Gastronomica site as a Web exclusive.

Eve Queler talks to Michael Miller about her upcoming performance of Wagner’s Rienzi with the Opera Orchestra of New York, Jan. 29, 2012, at Avery Fisher Hall

For the fourth time now, Eve Queler, Conducter Laureate of the Opera Orchestra of New York, will bring Richard Wagner’s third opera, Rienzi, to life. That is the only word for it, because her 1980, 1982, and 1992 performances of the rarely-performed opera were terrific hits among critics and audiences. Curiously for concert performances they had the impact of great spectacles, with choirs marching through the aisles and trumpets spread about the hall. Although, as always, Ms. Queler’s focus was always on the music, she captured some of the spectacle of the first performances.

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