Latest Posts

Soaking Wet with the Beyond the Bang Group at the West End Theater

David Parker, Founder of The Bank Group

First up, an entirely delightful amuse-bouche minus title or program reference with Jeffrey Kazin, co-producer of The Bang Group, clapping the rhythms and Chelsea Ainsworth in pointe shoes tapping to the beat. As Kazin clapped an elaborate pattern Ainsworth echoed it; the couple then moved from the feet up the body incorporating other takes on percussion as she drummed on his torso and he slapped the ground. Juilliard grad Ainsworth was back in Two is You and deserves a shout-out for her expressive approach that maximizes every step.

Giovanni Simone Mayr’s Remarkable Medea Opera, Superbly Performed

Giovanni Simone Mayr

Medea in Corinto (Medea in Corinth, 1813 and much revised over the course of the next ten years) was Mayr’s best-known opera and remained a repertory staple for a time even after his death. It has been revived frequently in our own day, especially in Italy, where audiences can of course follow the plot and shifting emotions without recourse to supertitles.

 

Living While Dying

dying and dying and dying by MB Dance

According to choreographer Maria Bauman, the work is a meditation on various kinds of endings, positive and negative. Bauman, Gibney Dance’s 2017 Community Action Artist in Residence, says she feels charged with alive-ness while at the same time embracing the paradox of multiple deaths happening every moment; dying and dying and dying is the result of dancing that paradox.

Overeager: One Night Only (running as long as we can) — Monica Bill Barnes and Company at the WP Theater

Anna Bass and Monica Bill Barnes in One Night Only (running as long as we can)

first saw Monica Bill Barnes performing Three Acts, Two Dancers, One Radio show and was charmed. Besides their obvious physical skills, Barnes and her sidekick, Anna Bass, were full of humor with an underlying sweetness pleasantly at odds with their somewhat tough physiques and staccato moves. Then I participated in The Museum Workout, following Barnes and Bass through galleries, up and down stairs at the Metropolitan Museum of Art, a group of us running and stopping to pump arms along the way which was an entertaining experience if not my ideal approach to enjoying art.

A Crop of Recordings XVII: Dvořák, Ravel, Lalo, and Manén…with Some Classical Favourites for Hallowe’en!

La Mère L'Oye

Every time I hear the Czech Philharmonic properly recorded I’m reminded what a glorious orchestra they are—overdue for appreciation. The ensemble recently signed a major contract with Decca and released Dvořák symphonies and concertos on CD, led by Jiří Bělohlávek. There’s also a complete Tchaikovsky project in the works from Semyon Bychkov. And now we have this beautiful take on the Slavonic Dances, captured without compromise.

Why Draw? 500 Years of Drawings and Watercolors at Bowdoin College, May 03, 2017 – September 03, 2017

Lois Mailou Jones, A Student at Howard, 1947. Watercolor over graphite on off-white wove paper.

Between the limits of the discipline, as it is taught in graduate schools, and the structure of museological functions, exhibitions of drawings usually adhere to a restricted range of formats, which, while continuing to be viable for institutions and the public and useful for scholars in the field, can be felt as constricting for those who conceive and execute them. The scope of drawings exhibitions can be determined by time and/or place (stylistic categories), or an artistic personality (monographic), or collection (“Treasures on Paper from…”), and perhaps a few others. When a curator is faced with such a project, he may may find himself wrestling with an urge to break the mold and create something new.

Ups and Downs of the Boston Music Season, mostly Boston Symphony with Andris Nelsons, 2016-2017

Thomas Adès conducting the BSO. Photo Stu Rosner.

The Boston Symphony Orchestra’s 2017 Tanglewood Music Festival, very successful by many reports, has just concluded, with the new season in Boston to begin very soon. I offer here the perspective of a look back at the preceding season in Boston, commenting mostly on BSO, but also a few other events. I was able to attend only one Tanglewood concert this summer: the impressive concert performance of Wagner’s Das Rheingold, conducted by BSO Music Director Andris Nelsons, with a large, excellent cast. A good sign for the future.

Jeannette Sorrell and Apollo’s Fire Condescend to Perform in Youngstown for a Remedial Concert

Jeannette Sorrell conducting the same program at Tanglewood

Early Monday morning, July 3, 2017, with neo-Baroque instruments in tow, Jeanette Sorrell and eighteen members of Apollo’s Fire ventured down routes 77, 80, and 680 from Cleveland to Youngtown’s St. Columba Cathedral for a performance of Vivaldi’s Le quattro stagioni (“The Four Seasons”) plus La Bergamasca by Marco Uccellini and Evaristo dall’Abaco’s Concerto in E minor , op. 5, no 3. This expensive event was billed as one of the highlight concerts for the 2017 American Guild of Organists’ Great Lakes Regional Convention.

Art

Why Draw? 500 Years of Drawings and Watercolors at Bowdoin College, May 03, 2017 – September 03, 2017

Lois Mailou Jones, A Student at Howard, 1947. Watercolor over graphite on off-white wove paper.

Between the limits of the discipline, as it is taught in graduate schools, and the structure of museological functions, exhibitions of drawings usually adhere to a restricted range of formats, which, while continuing to be viable for institutions and the public and useful for scholars in the field, can be felt as constricting for those who conceive and execute them. The scope of drawings exhibitions can be determined by time and/or place (stylistic categories), or an artistic personality (monographic), or collection (“Treasures on Paper from…”), and perhaps a few others. When a curator is faced with such a project, he may may find himself wrestling with an urge to break the mold and create something new.

Urban Planning: A Manifesto

The people of New South Wales have been anticipating the upcoming state election almost since the last election four years ago, never a good situation. As regular readers of our dispatches from Sydney know, the soon to be defeated Labor Government has for the past sixteen years, with its inimitably bland, shiny-suited glee, trashed poor old Sydney. A place which with the slightest effort could be the most beautiful city in the world has instead deteriorated into a kind of Los Angeles without a Raymond Chandler, a Melbourne without intricacy, a Singapore without ambition.

One of the most urgent tasks facing the next state government will be the reform of NSW’s broken planning system, a system I saw in action (if that is the right word) during the disillusioning two years I spent in a cubicle at the NSW Department of Planning.

Music

Five Senses Tastings and Vinfluence present “American Mosaic” this Thursday, October 19th at 6:30 pm at 555Ten.

SUPPORT WILDFIRE RELIEF EFFORTS IN
SONOMA AND NAPA!!

Five Senses Tastings and Vinfluence present “American Mosaic” this Thursday, October 19th at 6:30 pm at 555Ten. Hear beautiful music by guitarist Dan Nadel and vocalist Shira Averbuch, taste wines from Vinfluence’s extensive portfolio, enjoy cheeses from Murray’s Cheese and chocolates from Honey Mama’s.

A Weekend with Pierre Boulez…and Debussy, Duckworth, Beethoven, and Paavali Jumppanen, Pianist

Pierre Boulez in 1980. Photo Don Hunstein/Columbia Records.

When I approach a review, I usually try to objectify it in some way, especially if it’s about familiar music, not only in recognition of the the fact that I’m writing for a public readership, but also in recognition of the discrete nature of a work of art as an entity created by an individual working under a specific set of historical circumstances, even if it dates from two months ago. Boulez’s Répons is very much rooted in such a situation in 1981, with its connection to the history of electronic music—then still fairly young—and the foundation of IRCAM, an event which gave electronic music formal institutional support in Europe. However, my personal response to hearing it at the Park Avenue Armory was especially strong, and in this review I will stay with that.

Theater

The Three Musketeers at The Classical Theatre of Harlem

The Three Musketeers By the Classical Theatre of Harlem. Photo Richard Termine.

It’s all for one and one for all in Classical Theatre of Harlem’s (CTH) The Three Musketeers written by Catherina Bush as adapted from the novel by Alexandre Dumas. Under the sky at the wonderful Richard Rogers Amphitheater in Harlem’s Marcus Garvey Park, the cast sings a little, dances a little, crosses swords a lot and generally has a good time.

Opera

Dvořák’s Grand Opera, Dimitrij, at Bard

Dvořák, DImitrij, Ensemble, Bard Summerscape. Photo Cory Weaver.

The word has been that Antonin Dvořák’s grand Opera, Dimitrij is a lost and rediscovered masterpiece. Whatever one thinks of it musically, dramatically, or politically, it is clear that the reasons for its neglect arise from its faulty transmission. Dvořák had great hopes for it. He thought it might be his ticket to international fame as an opera composer. Unfortunately—it turns out—the influential music critic, Eduard Hanslick attended the premiere in Prague…and liked it very much—both score and libretto—and wrote a highly positive, intelligent review. He made certain criticisms, however, which Dvořák took very seriously, especially because of Hanslick’s praise and his position as the most influential critic in Vienna, the Hauptstadt of the Austro-Hungarian Empire. For Dvořák Vienna was the first step to international recognition, and he desperately wanted a production there.

Dvořák’s Rare Grand Opera, Dimitrij, Coming Up at Bard Summerscape, beginning July 28 [REVISED]

Olga Tolkmit as Xenia in Dvořák's grand opera, Dimitrij at Bard Summerscape, 2017.

Bard Summerscape visitors have much to look forward to in this year’s fully-staged production of Dvořák’s rarely performed grand opera, Dimitrij. For this ambitious work Dvořák set a Russian subject, the unhappy fate of the false pretender, Dimitrij, who appeared after the death of Boris Godunov, presenting himself as the son of Ivan the Terrible. The libretto was by Marie Červinková-Riegrová, one of the preeminent Czech librettists of the time, the deeply educated daughter of leading Czech politician František Ladislav Rieger, and a granddaughter of the famous historian František Palacký. In her libretto, which advisedly took liberties with historical accuracy, Dimitrij was a young Russian serf who was taken up by Poles and brought up to believe that he was in fact the son of Ivan. Hence in this opera, he is the innocent victim of ruthless Poles, eager to destabilize Russia. He is unhappily married the the Polish Princess Marina, who is merely interested in using him for her own national and personal ends.

Dance

Soaking Wet with the Beyond the Bang Group at the West End Theater

David Parker, Founder of The Bank Group

First up, an entirely delightful amuse-bouche minus title or program reference with Jeffrey Kazin, co-producer of The Bang Group, clapping the rhythms and Chelsea Ainsworth in pointe shoes tapping to the beat. As Kazin clapped an elaborate pattern Ainsworth echoed it; the couple then moved from the feet up the body incorporating other takes on percussion as she drummed on his torso and he slapped the ground. Juilliard grad Ainsworth was back in Two is You and deserves a shout-out for her expressive approach that maximizes every step.

Living While Dying

dying and dying and dying by MB Dance

According to choreographer Maria Bauman, the work is a meditation on various kinds of endings, positive and negative. Bauman, Gibney Dance’s 2017 Community Action Artist in Residence, says she feels charged with alive-ness while at the same time embracing the paradox of multiple deaths happening every moment; dying and dying and dying is the result of dancing that paradox.

Literature

The 36th Bloomsday at Symphony Space, 2017

James Joyce, circa 1922

The thirty-sixth celebration of Bloomsday at Symphony Space, originally conceived by SS ‘s late founder, Isaiah Sheffer, was a fitting tribute to Ulysses and its author, James Joyce. With a projection of Joyce’s face looking down on either side of the stage, the audience reveled in panel discussions; music including a beautiful rendition of Love’s Old Sweet Song, as discussed by Molly Bloom in the book and a “Whirlwind Tour through all 18 Episodes.” This Joyce fest offered something for even the most die-hard fan.

riverrun runs wild in Brooklyn, with performance artist Olwen Fouéré

Olwen Fouéré in riverrun at BAM. Photo Rebecca Greenfield.

You’ve doubtless read somewhere or another or heard someone say that our relationship to novels is much like our relationships to people (our relationships to their authors, living and dead, are a whole other thing). That may sound trite, but it has its degree of truth. In no case is it so true as in the case of Finnegan’s Wake. In most cases James Joyce’s last novel is like some celebrity academic, who jets constantly between, say, Paris and Berkeley, but never crosses our path. Others may have approached the great man at the podium after a lecture and tried to ask a private question, only to be

About NYC

Cinema

Silver Stream – Short Film: Grace Kiley – Writer, Director & Actor – Kickstarter Campaign ends on May 22!

Diagnosed with a progressive illness at the time of her daughter’s birth, Anna made the decision to give her daughter, Una, up for adoption when she was just 2 weeks old. Twenty-seven years later, Anna feels compelled to contact Una in order to pass on her inheritance, “some good and some not so good.”  Anna’s illness has begun to affect her daily function. She assumes her daughter was raised by the privileged family who adopted her, but soon discovers a very different story.

Kino!2017, a Festival of German Cinema at the Sunshine, Closes on April 6

Lilith Stangenberg in Wild.

For its fourth season as an independent festival, Kino!2017, has moved to everyone’s favorite art house, the Sunshine Cinema, as congenial a venue as possible for the screenings and the inevitable lively discussion around them. Curated by New York film professionals—distributor Meghan Wurtz, journalist Karl Rozemeyer and festival consultant Marian Masone, Kino!2017 presents twelve feature-length films, including one North American premiere, five US premieres, four East coast premieres and two New York premieres, plus the Next Generation Short Tiger 2016 selection.

Places

Bomarzo tra il Santo Biscotto e la Fava Marxista: La Festa di Sant’Anselmo (April 23-25, 2014)

Il biscotto di Sant'Anselmo

My days in Bomarzo in 2009 did not show the town at its most industrious…or, on the contrary, perhaps it did. The end of April and the beginning of May mark holiday season in this medieval hill town of fewer than 1800 inhabitants. The third weekend of the month and the weekdays that lead up to it mark the festival of the local saint, Saint Anselm of Bomarzo, the 25th also being the national holiday of the Liberation. The following weekend embraces May Day, the international celebration of the working man and woman, which needs no explanation. A young person asked me why we don’t celebrate this holiday in the United States, conjuring up old photos of the police and the National Guard in my mind.

Seven Ways to Improve the Tour de France

Cycling fans watch the opening time trial of Paris-Nice in Saint-Rémy-lès-Chevreuse, 3 March 2012. Photo © 2012 Alan Miller.

I wouldn’t go so far as the three-time world-champion Óscar Friere, who reckons that the Tour de France is “the most boring race of the year” — has he ever watched the Tour of Qatar? — but this year’s race did make me wonder how many more like it the old institution can take. Institutionalization is the Tour’s great burden, or at least its double-edged sword. For the casual fan it is the ‘race of record,’ cycling itself. Those who follow the sport more closely understand that while the Tour is undeniably the most competitive, and therefore the most prestigious, among the three Grand Tours of Italy, France and Spain, it often not the most interesting.

Food & Drink

Five Senses Tastings and Vinfluence present “American Mosaic” this Thursday, October 19th at 6:30 pm at 555Ten.

SUPPORT WILDFIRE RELIEF EFFORTS IN
SONOMA AND NAPA!!

Five Senses Tastings and Vinfluence present “American Mosaic” this Thursday, October 19th at 6:30 pm at 555Ten. Hear beautiful music by guitarist Dan Nadel and vocalist Shira Averbuch, taste wines from Vinfluence’s extensive portfolio, enjoy cheeses from Murray’s Cheese and chocolates from Honey Mama’s.

Podcasts

Paavali Jumppanen, Pianist, Talks to Michael Miller before his Recital at the Frick Collection, Sunday, October 8, at 5 pm.

Pavaali Jumppanen

I’m very pleased to present this interview with Paavali Jumppanen, who will be playing a recital at the Frick Collection this coming Sunday, October 7, 2017, at 5 pm. He will play works by three composers he has studied in particular depth over many years: Beethoven, Debussy, and the William Duckworth (1943-2012).

Manfred Honeck talks to Michael Miller about Mahler, Bruckner, and Conducting

Manfred Honeck. Photo Felix Broede.

Anyone who has heard Manfred Honeck conduct his own Pittsburgh Symphony Orchestra in Heinz Hall or in their exemplary recordings on the Exton and Reference Recordings labels will know what a treasure he is for the world of music. This week he will conduct the New York Philharmonic in Beethoven’s First Piano Concerto with Inon Barnatan and Mahler’s First Symphony. He has made something of a speciality of this composer, a fellow Austrian. His recorded cycle with Pittsburgh now includes Symphonies No. 1, 3, and 5. Maestro Honeck also has special insight into the work of Anton Bruckner, another fellow Austrian. He has so far recorded Bruckner’s Fourth Symphony and looks forward to recording the Ninth.

In this interview you will learn something about the care and intelligence he puts into preparing his performances and his particular feeling for these great composers.