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Posts Tagged ‘Anton Webern’

Thumbnail : “Vienna, City of Dreams” in New York: Four Orchestral Concerts by the Vienna Philharmonic at Carnegie Hall

“Vienna, City of Dreams” in New York: Four Orchestral Concerts by the Vienna Philharmonic at Carnegie Hall

Nowadays, visiting orchestras often play two or three concerts in New York, and, best of all, these are sometimes “curated” into themed series, like the VPO’s under Boulez and Barenboim a few years ago. This year, Carnegie Hall is presenting an exceptionally ambitious event, Vienna, City of Dreams, which goes beyond the Vienna Philharmonic’s unprecedented seven-concert series of symphonic and operatic works, and includes chamber music concerts, contemporary music, symposia, film screenings, and a few events including the visual arts, including Vienna Complex, a contemporary group exhibition at the Austrian Cultural Forum, which has organized most of the events outside Carnegie Hall itself, although no significant exhibitions of the art of the periods represented by the concerts at Carnegie Hall. (The other piece of Vienna in New York, the Neue Galerie, is offering nothing but limited free tours for ticket holders and discounts in their gift shop.) Theater and literature went virtually unrepresented. (A Viennese theater festival, including the Burgtheater, would have been welcome—magnificent, even.) A language barrier in our day of ubiquitous supertitles?

Thumbnail : The New York City Ballet Opens the New Ballet Season with an All-Balanchine Mixed Bill, and Some More Comic Programming

The New York City Ballet Opens the New Ballet Season with an All-Balanchine Mixed Bill, and Some More Comic Programming

When do you ever see a bill outside Carnegie Hall or Lincoln Center with no other names but “Hindemith,” “Webern” and “Stravinsky?” And at that with an extremely well played concert behind it with energy and seriousness and intelligence? Only at the ballet it seems.

Thumbnail : Tully Scope Festival Opening Night: International Contemporary Ensemble play Chance Encounters: For Morton Feldman, with Webern, Xenakis, and Cage…and a prelude by Nathan Davis

Tully Scope Festival Opening Night: International Contemporary Ensemble play Chance Encounters: For Morton Feldman, with Webern, Xenakis, and Cage…and a prelude by Nathan Davis

Tully Scope Festival Opening Night For Morton Feldman: Chance Encounters Tuesday, February 22 at 7:30 pm International Contemporary Ensemble Steven Schick, conductor and percussion Feldman: The King of Denmark, for solo percussion Webern: Concerto for nine instruments Xenakis: Jalons, for 15 instruments Cage: Imaginary Landscape No. 4, for 12 radios Feldman: For Samuel Beckett I’ve […]

Thumbnail : Music in a Time of Disaster…The Vienna Philharmonic conducted by Pierre Boulez, Carnegie Hall, January 16, 2010

Music in a Time of Disaster…The Vienna Philharmonic conducted by Pierre Boulez, Carnegie Hall, January 16, 2010

Vienna Philharmonic Orchestra Pierre Boulez, conductor Carnegie Hall, January 16, 2010 Schoenberg, Chamber Symphony No. 2, Op. 38 Schoenberg, Piano Concerto, Op. 42 (Daniel Barenboim, soloist) Webern, Six Pieces for Orchestra, Op. 6 Mahler, Adagio from Symphony no. 10 in F-sharp Major To hear a program of music by Mahler and the members of the Second […]

Thumbnail : Alan Gilbert conducts the New York Philharmonic in Webern, Mozart, and Schumann

Alan Gilbert conducts the New York Philharmonic in Webern, Mozart, and Schumann

New York Philharmonic Avery Fisher Hall Tuesday, December 29, 2009, 7:30 P.M. Wednesday, December 30, 2009, 7:30 P.M. Saturday, January 2, 2010, 8:00 P.M. Alan Gilbert, Conductor Leif Ove Andsnes, Piano Webern, Im Sommerwind Mozart, Piano Concerto No. 23 in A, K. 488 Webern, Symphony, Op. 21 Schumann, Symphony No. 2 in C Major, Op. […]

Thumbnail : Alfred Brendel, Deborah Voigt, James Levine, Metropolitan Opera Orchestra: Mozart, Webern, Berg, Strauss, Salome

Alfred Brendel, Deborah Voigt, James Levine, Metropolitan Opera Orchestra: Mozart, Webern, Berg, Strauss, Salome

The Metropolitan Opera Orchestra James Levine, Music Director and Conductor Deborah Voigt, Soprano Alfred Brendel, Piano Webern, Six Pieces for Orchestra Mozart, Piano Concerto No. 24 in C Minor, K. 491 Berg, Three Pieces for Orchestra, Op. 6 R. Strauss, Final Scene from Salome It comes as particularly sad news that Alfred Brendel will retire from public recitals […]

  • A Singer’s Notes 95: The Henry Plays at Shakespeare and Company
    Jonathan Epstein undertook a courageous and largely successful project making an evening’s performance out of the Henry plays. I could have used a little more Doll Tearsheet and a little less Ancient Pistol, but I understand choices have to be made. The narrative was clear throughout, and there were some surprising and gently humorous touches […]
    Keith Kibler
  • A Singer’s Notes 94: Local Excellence… and a Rare Unamplified Performance of a Broadway Musical!
    Hubbard Hall Opera Theatre once again filled its house and earned rave applause for its production of Gianni Schicchi, by Giacomo Puccini. This opera which seems so straight out and comfortable is actually a very hard score, both vocally and orchestrally. It could fairly be called the most intricate of Puccini’s compositions. This is why it […]
    Keith Kibler
  • A Singer’s Notes 93: Denève, the TMC Orchestra, and Berlioz; McGegan and Handel; Bernstein’s Candide at Tanglewood
    The excellent Stephane Denève chose two works of Hector Berlioz for his TMCO concert. Wholly remarkable was a performance of Les Nuits d'Été. The maestro gave these songs a sound I've never heard before. It was ravishingly quiet to begin with, not unlike the nearly silent playing Simon Rattle can achieve in his Mahler performances. […]
    Keith Kibler
  • Murder Myth Married to Music—Lizzie Borden Wields her Axe at Tanglewood
    In Jack Beeson and Kenward Elmslie’s 1965 retelling, Lizzie Borden is unequivocally presented the murderer of her step-mother and father; in the opening moments, as the orchestra starts up with a scream of outrage, Lizzie runs onstage with an axe and plants it firmly in the middle of the family table. It remains there for […]
    Larry Wallach