New York Arts > baroque music
Rare Vivaldi Concerti with the Australian Brandenburg Orchestra and Guest Violinist Federico Guglielmo
For a long time I was put off Vivaldi by the incessant repetitions of the Four Seasons on the local classical radio station. This was of course unfair, but it can be tricky to find performances of many of his other several hundred pieces (not least in Venice itself), and in fact the frequently encountered way of playing Vivaldi, with a certain edge, a forthright, frenetic sort of energy, which may display the technical virtuosity to maximum effect, is unfair too. Australian Brandenburg Orchestra artistic director and harpsichordist Paul Dyer and guest violinist and director Federico Guglielmo have constructed a program which is remarkably varied — indeed to present a program devoted to a single composer (or an exhibition devoted to a single artist) only really works with and artistic personality capable of a varied outlook lest we become oppressed by the artist’s obsessions. Some of these concerti have not been published and clearly the two musicians have put much deep thought and research into their performance. Here is a Vivaldi with subtlety of expression, which also puts to good use all of this orchestra’s skill across the instruments without showing off. All the concerti are “for several instruments” with some instruments re-apearing as soloists with a consistent personality and characteristically written parts, but with something quite different to say in each concerto. The program is carefully arranged in a kind of cycle, giving the sense of music taking us on a journey.