New York Arts > Beethoven
Tag Archive: Beethoven
Justin Bischof conducts the Canadian Chamber Orchestra of New York City in Beethoven’s 7th and 9th Symphonies
Justin Bischof, who has built a reputation as a brilliant church organist and choirmaster, has found characteristically ingenious ways to integrate his passion, symphonic conducting, with his duties as Director of Music at The Church of St. James the Less in Scarsdale as well as an admirable local charity, the “Transforming the Lives of Children through Music” Benefit, netting over $400,000—and growing—which has enabled over 425 at-risk inner-city children to attend a life-altering summer camp in recent years. The latter benefit concert is traditionally The Canadian Chamber Orchestra of New York City’s (CCO/NYC) seasonal culmination. Dr. Bischof founded the orchestra to enhance the presence of his fellow Canadian musicians in the New York Area. Through these ambitious enterprises, he has enriched the musical life at his church beyond any reasonable expectation for a suburban parish and served an admirable program for enhancing the lives of underprivileged children. And Bischof is as passionate about the charity as about the great music he conducts to further the cause. The powerful performance of Beethoven’s Ninth we heard was deeply moving, as it should be, but I was even more moved by the fine young people who gathered before that to sing simple choruses.
Off-season musical life is not as thin in the Hudson Valley as it is in the Berkshires, but, whatever the general situation, the Concerts at Camphill Ghent, founded and directed by pianist Gili Melamed-Lev, stand out for their exceptional quality, one month after another. As I have mentioned elsewhere, these concerts, which usually sell out weeks before the concert date, take place in the intimate performing arts hall of Camphill Ghent, a residential community for elders in Chatham, New York. This particular article will offer a preview of the upcoming March concert, which is actually based on an abbreviated version of the program the Lev-Evans Duo played at a house concert in Stockbridge last month, and reviews of two previous concerts at Camphill Ghent.
A relatively new chamber music series in our area, The Concerts at Camphill Ghent, extending through the rather sparse autumn through spring months, has just recently come to my attention, and it looks well worth a season subscription. Every concert is compelling, and they all fit together as a whole. Clearly some strong consideration has gone into the selection of both the music and the musicians. The series was founded and is managed by a musician, the outstanding pianist, Gili Melamed-Lev, who oversees the programming and participates extensively herself. This is by no means exceptional in itself, but the particular stamp she has put on it stands out.
Davies Hall , San Francisco The New York Philharmonic Alan Gilbert, conductor May 6, 2016 Beethoven—Egmont Overture, Opus 84 Beethoven—Symphony No. 7 in A major, Opus 92 ***** Sibelius——-Symphony No. 7 in C major, Opus 105 Sibelius——-Finlandia, Opus 26 “My…
The San Francisco Symphony: Herbert Blomstedt, conductor; Maria João Pires, piano, in Beethoven and Bruckner
It was a surrealistic night. Every so often a trip to the symphony is like that. It had oddities—both nice and annoying.
First-off, I thought, ninety seems to be the new seventy. And seventy surely is the new fifty. As Herbert Blomstedt came onstage, he didn’t look eighty-nine, that’s for certain! Just slightly snowier than last time. Tall, eager, ambassadorial as ever—Blomstedt led the evening without baton and the symphony from memory—an incredible feat with this edition.
I missed hearing the Royal Philharmonic last February in London. But while there, I found myself often reminded of the problems British orchestras and audiences face. Festival Hall, which once sounded like a pretty good hi-fi system, disposed of its Helmholtz “resonators” in a recent renovation and in so doing lost half its reverberation time, however artificial. It now sounds like NBC’s late unlamented Studio 8H.
François-Xavier Roth with the BSO in January, with solo turns from Elizabeth Rowe (flute), Jessica Zhou (harp), and Renée Fleming (soprano)
The Boston Symphony Orchestra started the new year well with two programs under the direction of guest conductor François-Xavier Roth, who hails now from Cologne and is very active in Europe, much sought after. Conducting without baton, vigorous and engaged, Roth holds the players’ attention and gets what he wants. Orchestra and audience alike feel caught up in an unusually tense and purposeful address to the music at hand.