New York Arts > Billy Carter
Port Authority, by Conor McPherson, with Billy Carter, Peter Maloney & James Russell, by the Irish Repertory Theatre, New York
There seemed something symbolic in the front doors and lobby of the DR2 Theatre, temporary home of the Irish Repertory Theatre. As one walks in off the street, one finds a shallow vestibule followed by another shallow space occupied by the ticket office and the concession stand, liberally stocked with alcohol, as it should be in an Irish theater, after two or three steps, a small waiting room, then down a short black corridor into the auditorium. I don’t think I’ve had quite that sense of openness and accessibility before in entering a theater. Irish theater is everywhere, and, apart from being a powerful force simply on the quality and scope of the work that’s being done, it is open and accessible to all. New York continues to be in the thrall of the London stage, as always, and certainly not for the worse, but when London comes to these shores, as in last winter’s visit of the Globe company, the event is highly publicized, tickets are expensive and hard to get, and the Broadway theaters claustrophobic, as New Yorkers crowd in to contemplate Shakespeare and his heirs as if it were the theatrical equivalent of the Crown Jewels. It seems like two different worlds.