Tag Archive: Brahms

Fisher Center presents a Weekend of Brahms – Tragic Overture and A German Requiem under Botstein, Bagwell and Howlett

Fisher Center presents a Weekend of Brahms Sosnoff Theater, Fisher Center for the Arts Bard College Friday, April 15 – Saturday, April 16, 2011 Johannes Brahms Tragic Overture, Op. 81 (1880) A German Requiem, Op. 45 (1865–68) Members of the…
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Yuri Temirkanov conducts the St. Petersburg Philharmonic Orchestra with Alisa Weilerstein, Cello, at Carnegie Hall

St. Petersburg Philharmonic Orchestra Yuri Temirkanov, Artistic Director and Principal Conductor Alisa Weilerstein, Cello Nikolai Rimsky-Korsakov – Prelude to Legend of the Invisible City of Kitezh Dmitri Shostakovich – Cello Concerto No. 1 Johannes Brahms – Symphony No. 4 Within…
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Eschenbach and David Fray with the San Francisco Symphony: Dalbavie, Beethoven, and Brahms

There’s an improvisational mindset in the American character which can sometimes be hard on a European musician who composes according to a “system”. We are a nation of pragmatic, rather than theoretical listeners. We tend to disregard instruction manuals and learn by getting behind the wheel. We expect music to be ergonomic. Dodecaphony isn’t driveable, we find, so we leave it on the lot. The tires are twelve-sided, and all the knobs and levers are in the wrong places. Sorry! No sale. And now we distrust everything cerebral coming down the pike!

Riccardo Chailly and the Leipzig Gewandhaus Orchestra play Chopin and Brahms at Carnegie Hall

Riccardo Chailly

The visit of the Leipzig Gewandhaus brings to a close the series of concerts by the great central European orchestras in Carnegie Hall. (Only the Dresdener Staatskapelle was lacking, and they are scheduled to appear next season.) It is a unique pleasure to hear a comprehensive series of these great ensembles in one hall, which also happens to possess one of the finest acoustics in the world. It is also a familiar one to me, since I have been attending concerts at Carnegie since childhood, when the New York Philharmonic still played there. The restoration has impaired its full glory somewhat, but I’ve grown used to the sound as it is—a bit too bright, but capable of embracing the grandest orchestral tutti and projecting the finest detail of a solo instrument up to the rafters. As an environment for comparison, only Symphony Hall in Boston can rival it, but the program of visiting orchestras in Boston has sadly diminished over the years. Only the Berlin Philharmonic and the Leipzig Gewandhaus have played in Boston this season. (I was only recently reminiscing with a friend about how we used to hear Cleveland and other great American orchestras, as well as Vienna and Berlin in Symphony Hall more or less annually.)

In Praise of Herbert von Karajan, with a Selective Critical Discography

My immediate reaction to Michael Miller’s commentary on the Karajan centenary [Oh no! He’s not back again, is he? – May 2, 2008] was rather choleric, but I’ve settled down a bit since then and can write this from a relatively balanced perspective.