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Posts Tagged ‘Brooklyn Academy of Music’

Thumbnail : The Bridge Project’s Richard III, by William Shakespeare, with Kevin Spacey, at BAM…with a backward look at the Donmar Warehouse King Lear

The Bridge Project’s Richard III, by William Shakespeare, with Kevin Spacey, at BAM…with a backward look at the Donmar Warehouse King Lear

This production of Shakespeare’s Richard III has reached BAM after a sold-out run at the Old Vic and a tour which included Epidavros, Istanbul, Naples, Sydney, Beijing, Hong Kong, Singapore, and San Francisco, among others. This reminded me of the sort of thing the British Council does, but of course this Shakespearian globe-trotting was a private enterprise, funded largely by Bank of America and the Stavros Niarchos Foundation. And course the whole point of the production’s parent organization, The Bridge Project, was to combine British and American casts. Perhaps there should be an organization beyond the British Council to cultivate, study, and promote the global English language, as it used on the streets and in literature around the world, including Australia, New Zealand, South Africa, Nigeria, Guyana, and others. And the way English is behaving in the physical and cyber-world today, it may need some international body to encourage it in good manners, kicking it under the table, when it starts to monopolize the conversation.

Thumbnail : John Hurt in Krapp’s Last Tape from the Gate Theatre, Dublin, at BAM

John Hurt in Krapp’s Last Tape from the Gate Theatre, Dublin, at BAM

It occasionally strikes me, to my own bemusement, that walking along a street on an average day, I might have in my pockets as many as three devices capable of recording pictures, even moving pictures, and perhaps two for recording sound. Modern technology has given ordinary people—anyone—an unprecedented ability to make precise literal records of what can be heard and seen at any given time and place. Using a device smaller than my hand I can create a seamless journal of sound, text, still images, and movies, if I choose, but I refrain. I rarely put these capabilities to use—only if there is something extraordinary…like the bizarre Australian accent of a tour guide on the Palatine last year, as he spun absurdities to his rapt crowd. (I wasn’t fast enough…) I am wary of these literal records. Are they the death of memory? Even during my undergraduate years, when the goings-on had every appearance of memorable times, I eschewed keeping a diary, taking notes, or even taking pictures. If I ever wrote about those times, I wanted to write from memory, with all its confusions and conflations, believing that someone else would be keeping an accurate chronicle of events to rescue me, if I needed it.

Thumbnail : Lully and Quinault’s Atys: Christie and Villégier’s Historic Production of Les Arts Florissants Revived at BAM for its 150th Anniversary

Lully and Quinault’s Atys: Christie and Villégier’s Historic Production of Les Arts Florissants Revived at BAM for its 150th Anniversary

The Brooklyn Academy of Music, chose to open their 150th anniversary celebrations with a more recent, but no less historically significant commemoration, and typical of the innovative, constantly exciting work BAM has been doing since the 1960s. This was nothing less than a “recreation,” as the program calls it, of Jean-Marie Villégier’s watershed production of Lully’s Atys, with music by Les Arts Florissants, conducted by William Christie. This production, organized by the Paris Opera to commemorate the 300th anniversary of Lully’s death, went through 70 performances between its premiere in December 1986 in Prato, and its second revival in 1992, closing finally at BAM after its second run there.

Thumbnail : Belvoir’s Production of Gogol’s “The Diary of a Madman,” with Geoffrey Rush, comes to BAM

Belvoir’s Production of Gogol’s “The Diary of a Madman,” with Geoffrey Rush, comes to BAM

“The Diary of a Madman” by Nikolai Gogol Adapted by David Holman with Neil Armfield & Geoffrey Rush Belvoir Directed by Neil Armfield Set design by Catherine Martin Costume design by Tess Schofield Lighting design by Mark Shelton Sound design by Paul Charlier Music by Alan John (after Mussorgsky) With Aksentii Poprishchin – Geoffrey Rush [...]

Thumbnail : Shakespeare’s The Winter’s Tale, Bridge Project at BAM

Shakespeare’s The Winter’s Tale, Bridge Project at BAM

The Winter’s Tale   by William Shakespeare A Bridge Project production at BAM, directed by Sam Mendes Simon Russell Beale – Leontes, King of Sicily Michael Braun – Dion, Lord of Sicilia/Florizel Morven Christie – Perdita/Mamillius Sinéad Cusack – Paulina, wife to Antigonus Richard Easton – Old Shepherd/Time Rebecca Hall – Hermione Josh Hamilton – [...]

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  • Leonard Bernstein’s On the Town at Barrington Stage Company, June 12 – July 13, 2013
    The “overture” to the Barrington Stage Company’s production of On the Town, the Leonard Bernstein, Betty Comden-Adolph Green musical, wasn’t written by the composer. The honors belong to John Stafford Smith, who with later lyrics by Francis Scott Key, wrote “The Star Spangled Banner.” It’s an unexpected way to begin this hilarious and horny show about three […]
    Nancy Salz
  • A Singer’s Notes 70: The Fantasticks at the Mac-Haydn Theatre
    It was excellent to go to the venerable Mac-Haydn Theatre last night. One comes upon it like a secret location, hidden in the landscape. It is a company full of real people; pretension is not allowed. It has a round stage, and has seen a succession of musicals performed on it for forty-five years. I went there to see one of my favorite shows, Harvey Schmidt […]
    Keith Kibler
  • Matt Haimovitz and Christopher O’Riley Open the Summer Season at Tannery Pond with All-Russian Cello Sonatas
    The barn at Tannery Pond is particularly well suited to cello music — a kind of cello-within-a-cello, the musical equivalent to the old literary framing device, maybe. The instrument's range and woody timbre are particularly appealing, even restful, resting on the ear's most sensitive range of pitches, so it is no wonder cellists seek out such acou […]
    Andrew Miller
  • The Berkshire Beethoven Piano Project
    There is a new musical enterprise making its debut on Sunday June 2 (at 5 pm in the Kellogg Music Center, Bard College at Simon's Rock). We call it "The Berkshire Beethoven Piano Project" in the optimistic belief that our program of four Beethoven piano sonatas, performed by four Berkshire pianists, will be the first in a series of such events […]
    Larry Wallach