New York Arts > Carnegie Hall
Orchestra dell’Accademia Nazionale di Santa Cecilia (Rome), Sir Antonio Pappano, conductor, with Martha Argerich, piano, at Carnegie Hall
Musical triumphs, like Tolstoy happy families, tend to be alike. But celebration usually breaks out following a performance, not before! I’ve only once witnessed the sort of screaming, foot stamping, room shaking reception Thursday’s Carnegie Hall audience accorded Martha Argerich, and that was in anticipation of Sir Georg Solti’s Mahler with the Chicago Symphony in the late 1960s. And fair to say, though “Solti! Solti!” always made for a great chant, screams for Argerich lasted longer. Even Karajan enthusiasts were less tireless, back in the day.