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Posts Tagged ‘City Center’

Thumbnail : Where’s Charley? by George Abbott and Frank Loesser at City Center Encores!

Where’s Charley? by George Abbott and Frank Loesser at City Center Encores!

  Where’s Charley? at City Center Encores! New York City, March 16-20, 2011 Based on Brandon Thomas’ Charley’s Aunt Book by George Abbott Music and Lyrics by Frank Loesser Cast: Sebastian Arcelus, Jeff Brooks, Rebecca Luker, Dakin Matthews, Rob McClure, Howard McGillin, Jill Paice, Lauren Worsham Directed by John Doyle Sometimes it can be the […]

Thumbnail : Where’s Charley? by George Abbott and Frank Loesser at City Center Encores!

Where’s Charley? by George Abbott and Frank Loesser at City Center Encores!

Sometimes it can be the simplest gesture that tips off an audience they’re in for a theatrical treat. In the recent City Center Encores! revival of Where’s Charley? the clue took place in the opening quartet in which two young couples alternated in duet. When they weren’t singing, the performers pulled their chests up high, linked arms and bounced subtly and elegantly on their toes in time to the music. Here was imaginative choreography where an understated move (think Fosse’s hat-tilt) said everything! Here were singers who could dance! With just one exception, the entire performance lived up to its early promise of stylish fun.

Thumbnail : Paul Taylor Dance Company

Paul Taylor Dance Company

City Center, New York  Feb. 25 – March 15, 2009 Glorious reign.  Every spring through a fortunate conjunction of stars the Paul Taylor Dance Company overlaps with the annual visit of the Vienna Philharmonic to New York.  Carnegie Hall is a far more lustrous venue than dusty, musty City Center. Its Moorish plaster ceiling recalls an earlier […]

Thumbnail : Paul Taylor Dance Company at the City Center—Food for Thought: Byzantium, De Sueños and Arden Court

Paul Taylor Dance Company at the City Center—Food for Thought: Byzantium, De Sueños and Arden Court

Paul Taylor Dance Company at the City Center—Food for Thought: …Byzantium, De Sueños and Arden Court There are enough people who are Paul Taylor supporters that I don’t feel I need to throw myself into the ring just for the sake of safety in numbers. I can fully appreciate his dancer’s pristine technique, his keen […]

  • Richard Goode Plays Beethoven’s Last Three Sonatas and Bagatelles, Op. 119 at Jordan Hall, Boston
    This was a great recital—almost. Richard Goode played the last three Beethoven piano Sonatas and a set of late Bagatelles, and was quite convincing, even revelatory, with all the material except the final Sonata, the forbidding Opus 111. This last came off well, it felt meant—and all those difficult notes were well articulated—but the full emotional […]
    Charles Warren
  • The Bard Music Festival at 25: Franz Schubert and his World
    My leading thought goes against much of what the Bard Music Festival and my own values, for that matter, stand for. And just read Keith Francis' provocative series, The Great Composers?, the latest installment of which has just been published. I've missed only one Bard Festival since 2006, and I've heard great music by Elgar, […]
    Michael Miller
  • A Singer’s Notes 98: No Amontillado, just Ale
    The much-maligned poetry of Edgar Allan Poe still bristles with excitement when one hears it. High and mighty Emerson called it a bunch of "jingles." The musical reference is appropriate. A poem like "Annabelle Lee" is basically a sound event. The sonic Poe I have in my imagination was revered by the French, Baudelaire in […]
    Keith Kibler
  • A Treasurable Account of Poe’s Last Hours from the Berkshire Theatre Group, with David Adkins and Kate Maguire, Closing 10/26
    You can't really blame the Berkshire Theatre Group for billing Eric Hill's splendid entertainment, POE, as a Hallowe'en show. As the holiday approaches, Poe's chilling stories and poems are rolled out in all the many forms they have assumed since their assimilation into two great cultural phenomena, American Literature and American Pop Culture, over the […]
    Michael Miller

New York Arts is dedicated to bringing you the best critical writing about the arts, in-depth, and written by passionate, engaging writers.

 
Every page on the site is free, and so are subscriptions to our email updates.
 
New York Arts survives on your voluntary support.
 
Why?
 
A. Our writers are professionals and should be paid for their work, and so should the editors, who also carry out the everyday tasks of maintaining the site and business.
 
B. There are daily costs in maintaining the site, transportation, professional expenses, and so on...to a long list.
 
C. The editor currently takes on all the administrative work. We need a specialized assistant/administrator.
 
Click here to make your tax-deductible donation to The Arts Press, publisher of New York Arts and The Berkshire Review. Or click on the notice in the sidebar. The Arts Press is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of The Arts Press must be made payable to“Fractured Atlas” only and are tax-deductible to the extent permitted by law.
 
If you enjoy what your read here, support New York Arts and keep serious criticism alive! You won't find it in your local newspaper anymore!