New York Arts > Ellar Coltrane
When The Who named their landmark 1979 album The Kids Are Alright, it was an anthem of baby boomer self-confidence. Boomers were more than all right—they knew without being told that they would one day be in charge of everything. Great expectations formed a generational bond going back to the cradle. As applied to the insecure Gen X adults who populate Richard Linklater’s widely acclaimed but elusive film Boyhood, the album would be called “Are the kids alright? How the fuck should I know? I can barely run my own life.” Born between the early Sixties and early Eighties, Gen Xers shunned baby boomer values. They defined themselves by being cool with underachievement. Without knowing how it happened, some drifted like tourists inside their own lives.