Tag Archive: Festival Chamber Music  Ruth Sommers Weill Hall  Tanya Bannister  Charles Neidich  Mohammed Fairouz  Philip Edward Fisher  Calvin Wiersma  Mozart  Ernö Dohnányi

Ruth Sommers’ Festival Chamber Music, a Concert Series at Weill Hall (Carnegie Hall) — an Introduction

John Marcus, Violin; Eriko Sato, Viola; Ruth Sommers, Cello; Logan Coale, Double Bass; Tanya Bannister, Piano play Schubert's "Trout" Quintet. Photo © 2017 Richard Termine.

Just about a year ago I had the pleasure of discovering a New York chamber music series I hadn’t heard about, Festival Chamber Music, when I came to hear Mohammed Fairouz’s No Orpheus (2009) for Mezzo Soprano and Cello, settings of poems by our Senior Editor of Art and Music, Lloyd Schwartz, who had made the trip down from Boston to read his texts before they were sung. He has heard several performances of this work since its premiere, and he was well pleased with the work of Christine Antenbring, mezzo-soprano and cellist Ruth Sommers, noting the strong differences in the performances of the work he had heard. One might be tempted to consider the use of a solo cello to do the job of a piano a gimmick, but in fact it convinced me from the very beginning—thanks to a great extent to Ruth Sommers’ eloquent, colorful, many-sided, but disciplined playing.

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