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Thumbnail : Sibelius III: Reflections on the 2011 Bard Music Festival

Sibelius III: Reflections on the 2011 Bard Music Festival

“I’d go anywhere to hear a Sibelius-palooza like this,” exclaimed Beth, a New York television producer and first-time Bard Festival visitor. Ernest, a veteran of many festivals and a geneticist in his 70s, credited Bard with inspiring him to revisit a childhood dream and take courses at Bard’s Conductor’s Institute. Lisa from Woodstock usually opts [...]

Thumbnail : Sibelius II: Larry Wallach on the Bard Music Festival 2011 – Jean Sibelius and his World

Sibelius II: Larry Wallach on the Bard Music Festival 2011 – Jean Sibelius and his World

Originality is a hard concept to get a hold of — there is no yardstick for measuring it, by its very nature. This makes the evaluation of composers, the assessment of their influence and historical position, one of the most subjective areas of music history and criticism. Contemporary writers have become impatient with their predecessors’ habit of rating composers in terms of “importance” or “greatness” based, at least in part, on their originality. And then there is the issue of “unique voice” — is that the same as originality? Is their any good composer who lacks either one? Can “uniqueness” be evaluated?

Thumbnail : Sibelius I: Bard Music Festival 2011 – Jean Sibelius and his World

Sibelius I: Bard Music Festival 2011 – Jean Sibelius and his World

One shouldn’t let anything get in the way of a Bard Music Festival—and the surrounding Summerscape opera, play, and dance performances, etc., least of all one’s preconceptions about composers. In one case only, Prokofiev (Bard Festival 2008), I approached the Festival with thoughts of taking a mildly rebarbative medicine, but I soon learned how wrong I was, thanks to the Russophile enthusiasm of my friend, Robert Kurilla, who has written about Prokofiev in the Review, and, of course, the lectures and programs of the Festival itself. In Prokofiev’s case the problem was that his best known works give an extremely limited, really inaccurate, idea of him and that his best work is little-known and rather challenging.

Thumbnail : Bard SummerScape 2011 Explores the Life and Times of Jean Sibelius with a Seven-Week Arts Festival in New York’s Hudson Valley, July 7 – August 21, 2011

Bard SummerScape 2011 Explores the Life and Times of Jean Sibelius with a Seven-Week Arts Festival in New York’s Hudson Valley, July 7 – August 21, 2011

[UPDATE: read our review of the festival here.]         Bard SummerScape 2011 Explores the Life and Times of Jean Sibelius with a Seven-Week Arts Festival in New York’s Hudson Valley, July 7 – August 21, 2011   Includes 22nd Bard Music Festival, “Sibelius and His World” and New York’s First Staged Production [...]

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  • A Singer’s Notes 70: The Fantasticks at the Mac-Haydn Theatre
    It was excellent to go to the venerable Mac-Haydn Theatre last night. One comes upon it like a secret location, hidden in the landscape. It is a company full of real people; pretension is not allowed. It has a round stage, and has seen a succession of musicals performed on it for forty-five years. I went there to see one of my favorite shows, Harvey Schmidt […]
    Keith Kibler
  • Matt Haimovitz and Christopher O’Riley Open the Summer Season at Tannery Pond with All-Russian Cello Sonatas
    The barn at Tannery Pond is particularly well suited to cello music — a kind of cello-within-a-cello, the musical equivalent to the old literary framing device, maybe. The instrument's range and woody timbre are particularly appealing, even restful, resting on the ear's most sensitive range of pitches, so it is no wonder cellists seek out such acou […]
    Andrew Miller
  • The Berkshire Beethoven Piano Project
    There is a new musical enterprise making its debut on Sunday June 2 (at 5 pm in the Kellogg Music Center, Bard College at Simon's Rock). We call it "The Berkshire Beethoven Piano Project" in the optimistic belief that our program of four Beethoven piano sonatas, performed by four Berkshire pianists, will be the first in a series of such events […]
    Larry Wallach
  • Simon Wainrib’s Legacy: his Bach Project
    It seems utterly puzzling that most of the greatest music of Johann Sebastian Bach barely makes it way to the concert hall. This conundrum was at the core of Simon Wainrib’s musical and entrepreneurial passion. His passing last week gave me an opportunity to reminisce about fulfilling one’s musical dreams, and my own long involvement with the Berkshire Bach […]
    Seth Lachterman