New York Arts > Gil Shaham
Writing here recently about last season at the Boston Symphony, I had recourse more than once to the phrase “just notes going by” in response to Andris-Nelsons-led performances that I did not like (I did praise a number of performances as well). I am happy to say that I think no one would say “just notes going by” about the recent, September 28th concert which opened the orchestra’s subscription series for 2017-2018. First, Nelsons and the orchestra and soloist Paul Lewis presented a definite view of the Beethoven Piano Concerto No. 4 in G-major, Opus 58; they had something to say with it. And the large Shostakovich Symphony No. 11 (“The Year 1905”) which followed, seemed to come into its own and express itself as fully as one could imagine.