Tag Archive: Ian Hobson

Ian Hobson, piano: Preludes – Etudes – Variations at Merkin Concert Hall, February 22, 2016: Chopin, Debussy, Rachmaninoff

Pianist Ian Hobson

Mr. Hobson’s program, consisting of a very early work by Chopin, which he wrote as a conservatory student at age 17 and performed soon after his graduation two years later, the fifty-year-old Debussy’s peak as a writer for the piano, and Rachmaninoff’s final work written in Russia: in 1917, when he was forty-four, and his world was crumbling around him, as the Revolution continued its course and he realized that he would have to leave his native country, where he had friends, money, and property, and face an uncertain future as an exile, most likely supporting his family with concert tours in the United States, which he hated. All these works have their harmonic, coloristic, and emotional extremities, at points going as far as to reflect the Paganinian tradition of the demented, or diabolical virtuoso. Hobson responded to this with full sympathy in all, as well as prodigious energy.

Ian Hobson – “Preludes, Études, Variations,” Concert 1 of 6: Chopin, Rachmaninoff, and Stephen Taylor

Ian Hobson‘s last appearance in New York was an ambitious Brahms cycle in September-October 2013. Extending over six weeks, it offered a comprehensive survey of Brahms’ solo music for piano and his chamber music for piano. I praised this enthusiastically at the time not only for the intelligence and sensitivity of the playing, but for the thoughtful programming, and the outstanding program book, with extensive essays by Paul Griffiths, O.B.E. Just last week, Ian Hobson began an equally ambitious series of six recitals, even more impressively organized, on a more abstract concept, bearing the title “Preludes, Études, Variations,” continuing monthly into April 2016, with this first concert, here reviewed, at Subculture, NYC, as well as the next on December 1. The rest will continue at Merkin Hall on the Upper West Side. This series is entirely solo, accompanied only by Mr. Griffiths’ incisive notes. In addition to 19th- and 20th-century classics of these three musical genres, there are world premieres of new works commissioned by Hobson for the series.

Brahms Classical and Romantic: Ian Hobson and colleagues traverse Brahms’ music for piano solo and chamber music with piano at the DiMenna Center

Ian Hobson

One of the most significant musical events of the autumn was a concert series of a scope and ambition rarely found anywhere, even in New York. The highly respected pianist-conductor Ian Hobson, who was born in England and educated at Cambridge University, the Royal College of Music, and Yale, and has been a professor at the University of Illinois at Urbana-Champagne since 1975, devoted his regular concert cycle to Brahms’ music for solo piano and chamber works for piano, strings, and winds. This took the form of fourteen concerts, all listed above, which spanned September, October, and the first half of November.

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