Tag Archive: Ives

MTT, James Ehnes, and the San Francisco Symphony open the season with Americans: Ives, Barber, Antheil, and Gershwin

Charles Ives

Last Friday evening dusked warm and sensuous—a rarity in this city. And at the San Francisco Symphony: one of those electric occasions to match, where everything comes together with inspiration, and the audience goes away feeling alive and happy. I don’t think I have ever seen Michael Tilson Thomas so rested and intuitively joyous at the podium—American music is his specialty—and nobody since Bernstein does it so well. Thomas has a reputation for programming what amounts to narrated musical lesson-plans. Let him grab a microphone, and the dowagers in the audience get nervous.

“Music for a Time of War” – The Oregon Symphony under Carlos Kalmar play Ives, Adams, Britten, and Vaughan Williams on a Pentatone Release…Highly Recommended!

The Review has quite a backlog of recordings piled up, and we hope to make our way through as many as we can. I especially wanted to make note of this full concert recording by the Oregon Symphony, not only because our own Steven Kruger wrote the perceptive and witty program notes, but because of its exceptional musical quality and its truly extraordinary recording. A multichannel recording from Pentatone Classics, which released the Berlin concert performance of Der fliegende Holländer under Marek Janowski reviewed a few months ago, it amazed me with its timbral and spatial naturalness. It most definitely belongs in the reference collection of any audiophile, whether they are inclined to multichannel playback or not. I listened to it in stereo on headphones, using an SACD-compatible player.

Vasily Petrenko and Joshua Bell in a Russo-English Program with the SF Symphony: Shostakovich, Tchaikovsky, Glazunov, and Elgar

Vasily Petrenko. Photo Mark McNulty.

Hats off, ladies and Gentlemen! A conductor! And a great symphony!

Vasily Petrenko’s recent electrifying week with the San Francisco Symphony reminds the listener that Gustavo Dudamel is not the sole “conducting animal” to be found on the musical circuit these days. Esa-Pekka Salonen coined the term a while back, with the impassioned Venezuelan in mind. And indeed, Dudamel is the sort of refreshing performer who has the winds jumping to their feet like jazz musicians and bass players twirling their instruments. He is all about emotion as vitality. But physically, apart from the energy with which he beats time, his manner is unremarkable.

The fascination of Petrenko, by contrast, is his ability to reflect every quivering moment of the music somewhere on his face or body, as though he were a disembodied hologram. We joke about people who are “double-jointed.” But Vasily Petrenko might as well be quadruple-sprung and then some…this is a man who’d have no trouble tapping three heads, rubbing five tummies and signalling with numerous eyebrows at the same time!

Goodnight Irene Directed by Paolo Marinou-Blanco

Director: Paolo Marinou-Blanco Cast: Robert Pugh, Nuno Lopes, Rita Loureiro An exotic place, an eccentric character and enticing story make Goodnight Irene an excellent motion picture – perhaps the best shown in the 2008 Edinburgh International Film Festival. Robert Pugh…
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In Praise of Herbert von Karajan, with a Selective Critical Discography

My immediate reaction to Michael Miller’s commentary on the Karajan centenary [Oh no! He’s not back again, is he? – May 2, 2008] was rather choleric, but I’ve settled down a bit since then and can write this from a relatively balanced perspective.

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