Tag Archive: Joshua Bell

Vasily Petrenko leads the SF Symphony in Glinka, Lalo, and Rachmaninoff, with Joshua Bell, violin

Vasily Petrenko

I don’t know how many in the audience had ever heard anything like it, a symphony dragging itself to a conclusion like a wounded beast over shrieking strings, bass drum rolls gone mad, brass, cymbals and tam tam flashing like jaws and teeth. And then, there was that set of hall-flattening final chords, like crates dropped on the stage, followed by silence for five seconds, broken only by a quiet “Jesus!” under someone’s breath. Welcome to the Rachmaninoff First Symphony!

Classical Music at SPAC: The Philadelphia Orchestra and André-Michel Schub’s Chamber Music Festival

The Saratoga Performing Arts Center presents the Philadelphia Orchestra’s three-week residency in tandem with an outstanding chamber music program directed by André-Michel Schub. I regret that I could not attend a pre=season concert in June, the Buffalo Philharmonic under their…
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Vasily Petrenko and Joshua Bell in a Russo-English Program with the SF Symphony: Shostakovich, Tchaikovsky, Glazunov, and Elgar

Vasily Petrenko. Photo Mark McNulty.

Hats off, ladies and Gentlemen! A conductor! And a great symphony!

Vasily Petrenko’s recent electrifying week with the San Francisco Symphony reminds the listener that Gustavo Dudamel is not the sole “conducting animal” to be found on the musical circuit these days. Esa-Pekka Salonen coined the term a while back, with the impassioned Venezuelan in mind. And indeed, Dudamel is the sort of refreshing performer who has the winds jumping to their feet like jazz musicians and bass players twirling their instruments. He is all about emotion as vitality. But physically, apart from the energy with which he beats time, his manner is unremarkable.

The fascination of Petrenko, by contrast, is his ability to reflect every quivering moment of the music somewhere on his face or body, as though he were a disembodied hologram. We joke about people who are “double-jointed.” But Vasily Petrenko might as well be quadruple-sprung and then some…this is a man who’d have no trouble tapping three heads, rubbing five tummies and signalling with numerous eyebrows at the same time!

New York Philharmonic, Alan Gilbert, Music Director: 2011–12 Season Preview and Concert Schedule

  Alan Gilbert is about to begin his third season as Music Director of the New York Philharmonic, and he appears to remain as popular as ever. His particular combination of rapport with the orchestra, solid, insightful, often brilliant musicianship,…
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Two at Davies Hall: San Francisco Symphony/Conlon; Staatskapelle Dresden/Harding

A tale of two orchestras, two conductors, two soloists, several accents, two continents… Indeed. Two recent musical evenings, performed back to back by our own San Francisco Symphony under James Conlon, and by the legendary Dresden Staatskapelle, on tour with Daniel Harding, were highly revealing of the differences which can still exist in the identity, tradition and manner of orchestras. By programming emotionally mainstream works, containing few neuroses or cataclysms, both conductors necessarily brought the focus of the audience’s attention to beauty of execution, national perceptions of orchestral warmth and tone painting, and to their own manner of leadership.

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