Tag Archive: Kirill Gerstein

A Handful of Last Season’s Orchestral Concerts in New York—All Worth Remembering

Jiří Bĕlohlávek. In Memoriam.

Even the most independent of us can’t hear everything one might like to. In New York, choices must be made, usually based on what one thinks is most important, and often enough what is important has nothing to do with music. Family obligations kept me away from Rattle and the Berlin Philharmonic, although he was in his prime repertory for his final US appearances with the orchestra, and sheer surfeit diluted my enthusiasm for Gergiev. He is not the only friend of Vladimir Putin’s to be accused of spending too much time on the golf course, and it shows in his wayward performances. What I did manage to hear brought discovery in conductors of exceptional ability I hadn’t heard before and some new music, as well as measures of excitement, admiration, and boredom.

Ups and Downs of the Boston Music Season, mostly Boston Symphony with Andris Nelsons, 2016-2017

Thomas Adès conducting the BSO. Photo Stu Rosner.

The Boston Symphony Orchestra’s 2017 Tanglewood Music Festival, very successful by many reports, has just concluded, with the new season in Boston to begin very soon. I offer here the perspective of a look back at the preceding season in Boston, commenting mostly on BSO, but also a few other events. I was able to attend only one Tanglewood concert this summer: the impressive concert performance of Wagner’s Das Rheingold, conducted by BSO Music Director Andris Nelsons, with a large, excellent cast. A good sign for the future.

Charles Dutoit triumphs in Shostakovich’s Tenth Symphony with the San Francisco Symphony, with Kirill Gerstein in Beethoven

Charles Dutoit

There’s no question that the San Francisco Symphony is one of our great American orchestras. I go to as many of their Carnegie Hall concerts as I can, and if these are not a consistent joy, it has nothing to do with the musicians’ capabilities, rather with the vagaries of Michael Tilson Thomas’s talents and tastes—of which more later. The concert I am reporting on had little to do with MTT beyond his successful maintenance of Herbert Blomstedt’s discipline.

Better on Paper? Gerald Finley’s Winterreise, Kirill Gerstein’s Piano Recital in Boston

Viktor Hartmann (1834–1873), Paris Catacombs

I can’t think of any musical event this season I was more looking forward to than Canadian baritone Gerald Finley singing Schubert’s Winterreise at Jordan Hall (February 7), and I’d been almost equally excited about hearing Russian-born pianist Kirill Gerstein return to Boston for a full length Jordan Hall piano recital (January 31). Both concerts were sponsored by the Celebrity Series of Boston, and both sounded great on paper.

Semyon Bychkov and Kirill Gerstein with the SF Symphony in Ravel, Rachmaninoff, and Walton

This week’s concerts at Davies Hall marked a welcome return to the podium of Semyon Bychkov, who has become a favorite with San Francisco audiences in recent seasons. Mr. Bychkov has entered the admirable ranks of unattached guest conductors who travel the world conducting only the music they love, and the happy results are palpable. This year, his passion is the Walton First Symphony, and our audience is all the richer for what his advocacy has found in the music.

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