New York Arts > Marc Neikrug
Last January I heard part of quite a thrilling chamber concert at SubCulture. The Mirò Quartet, which I have reviewed favorably in the past, excelled themselves in an all-Brahms concert with a young Taiwanese-American pianist I had not heard before, Weiyin Chen. Her playing showed maturity, a deep identification with the music, in this case Brahms’ Piano Quartet in C Minor and Piano Quintet, an extensive range of color and feeling, strength, and seriousness. The Mirò played with a electric intensity I’ve not heard from them before. This was in fact the second concert of a three-part debut series she has organized for SubCulture.