Tag Archive: Morton Feldman

Not Maverick Enough? San Francisco Symphony conducted by Michael Tilson Thomas performing at Carnegie Hall on Wednesday, March 28, 2012, in the “American Mavericks” Festival

Michael Tilson Thomas’s “American Mavericks” concerts came to New York, centered on four programs at Carnegie Hall with the superb San Francisco Symphony, surrounded by a whirl of fringe events throughout the city. This was a bold and appropriate way to show not only the versatility and virtuosity of the orchestra but also the evolution of orchestral culture in the United States: the works were played as modern classics, with the ideal combination of polish and bite that they call for. The audience has clearly evolved along with the orchestras: Carnegie Hall was close to full with a healthy mixture of grey and not-so-grey heads intently focused on the music. So accomplished and appealing were the performances that even the Feldman work, probably the most novel work on the program, held audience attention effortlessly through its 26-plus minute duration.

Axiom, Juilliard’s Contemporary Music Group, play Feldman and Kurtág at Tully Scope

György Kurtág

The second concert in Lincoln Center’s wonderful Tully Scope Festival, like the opening night, revolved around the music of Morton Feldman, and, although it was entitled “For Morton Feldman,” it was actually dedicated to quite a different composer, György Kurtág, who is still very much alive and celebrated his eighty-fifth birthday on February 19th, only a month younger than Feldman would have been if he had not died prematurely in 1987 at the age of sixty-one. The program consists entirely of some of their best-known works, played by Axiom, the contemporary music group of the Juilliard School, under the direction of Jeffrey Milarsky, and the Clarion Choir under music director Steven Fox. The instrumentalists and the soprano soloist were all students or recent graduates of Juilliard, who acquitted themselves most impressively.

Tully Scope, a New Festival at Lincoln Center: Preview and Concert Schedule

A performance in the Grand Foyer and Morgan Stanley Lobby of Alice Tully Hall (Ethel: not in Tully Scope). Photo Richard Termine.

An exciting new festival at Lincoln Center will make an already busy period — February 22 to March 18 — even busier. It bears the slightly odd (and slightly clumsy, I think) name, Tully Scope Festival. But no matter, the…
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Tully Scope Festival Opening Night: International Contemporary Ensemble play Chance Encounters: For Morton Feldman, with Webern, Xenakis, and Cage…and a prelude by Nathan Davis

Tully Scope Opening Event: ICE performs Nathan Davis, Bells, in the Grand Foyer of Alice Tully Hall. Photo © 2011 Michael Miller.

Tully Scope Festival Opening Night For Morton Feldman: Chance Encounters Tuesday, February 22 at 7:30 pm International Contemporary Ensemble Steven Schick, conductor and percussion Feldman: The King of Denmark, for solo percussion Webern: Concerto for nine instruments Xenakis: Jalons, for…
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