Bard Music Festival 2014 - Schubert and his World
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Posts Tagged ‘opera’

Thumbnail : Petition Madness in the Art World…SECOND REVISION! More Petitions and a Modest Proposal…

Petition Madness in the Art World…SECOND REVISION! More Petitions and a Modest Proposal…

Since the Mona Lisa affair was reported, other petitions and protests have emerged. Earlier this month (September 17) the protests agains the huge cruise ships that pass through the lagoon in Venice were renewed with vigor. The invaluable Tomaso Montanari has organized a petition against the privatization of the Brera in Milan. At the beginning of the month, in the United States, the New York Times demoted Allan Kozinn, one of its more intelligent music critics, who has been writing for them since 1977 and a staff member since 1991. He is now a “general cultural reporter.” Norman Lebrecht, who announced the bad news, received an avalanche of mostly angry and disgusted comments. Petitions were organized on Facebook, urging the Times to change their mind…but to no avail. Kozinn’s gone. For some years it has been hard to imagine that once upon a time Paul Griffiths wrote music criticism for The New York Times, and both he and Andrew Porter for The New Yorker.

Thumbnail : Audience Misbehavior: Everyone Wants To Get In On The Act

Audience Misbehavior: Everyone Wants To Get In On The Act

They looked like a normal Broadway audience, these adults attending a matinee of Seminar. Then ten minutes into the play, when Alan Rickman, the star, made his entrance, they went berserk—screaming as if he were Professor Snape, his Harry Potter film character, instead of an actor on stage—and stopped the show in the middle of […]

Thumbnail : Women on the Verge 2012: Three Mono-operas about Women Unhappy in Love – Two by Pasatieri and La Voix humaine by Poulenc after Cocteau, including Kala Maxym and Roza Tulyaganova

Women on the Verge 2012: Three Mono-operas about Women Unhappy in Love – Two by Pasatieri and La Voix humaine by Poulenc after Cocteau, including Kala Maxym and Roza Tulyaganova

Women on the Verge 2012 Opera Manhattan presents a special Valentine’s Day production, Women on the Verge, all about women unhappy in love. The centerpiece of the production will be Poulenc’s one-act monodrama for soprano, La Voix Humaine, which hasn’t been presented in New York City since 1993. If the opera isn’t familiar, the story is–a […]

Thumbnail : Lincoln Center Festival 2011: Ballet, Bruckner, Brook, Druid, Merce, Ruders, Shakespeare…

Lincoln Center Festival 2011: Ballet, Bruckner, Brook, Druid, Merce, Ruders, Shakespeare…

This year the Lincoln Center Festival will be longer and richer than ever. It will offer 116 performances by ensembles and artists from some 20 countries, and will include 6 World, North American, U.S., and New York premieres unfolding in seven venues on and off the Lincoln Center complex. In spite of all this cultural […]

Thumbnail : Mozart’s Idomeneo at the English National Opera

Mozart’s Idomeneo at the English National Opera

Virtue rampant. It’s something of a drawback when an opera has no characters, but this wasn’t always so. At the height of the 18th century’s classical style, an emblem would suffice, or a slightly animated statue. In Mozart’s Idomeneo something like the ideal is achieved. No one is really flesh and blood but rather personified virtues: Nobility caught between Filial Devotion and conflicted love from Chaste Constancy and Heartfelt Passion. Or as the playbill has it, Idomeneo, king of Crete, is trapped by a vow to Poseidon to sacrifice his son, Idamante, while two women pine longingly, Ilia, a captured princess of Troy, and the infamous Electra, daughter of Agamemnon. These pawns on the Greek chessboard were available to any dramatist or poet of Mozart’s day, to be shuffled through the paces of opera seria, the musical equivalent of high tragedy.

Thumbnail : In Praise of Herbert von Karajan, with a Selective Critical Discography

In Praise of Herbert von Karajan, with a Selective Critical Discography

My immediate reaction to Michael Miller’s commentary on the Karajan centenary [Oh no! He’s not back again, is he? - May 2, 2008] was rather choleric, but I’ve settled down a bit since then and can write this from a relatively balanced perspective.

Thumbnail : Benjamin Britten, Peter Grimes

Benjamin Britten, Peter Grimes

  Montagu Slater, Libretto Metropolitan Opera House, March 15, 2008, 1.30 pm (transmitted “live encore” in HD, March 29) Donald Runnicles, Conductor Peter Grimes – Anthony Dean Griffey Ellen Orford – Patricia Racette Captain Balstrode – Anthony Michaels-Moore Mrs. Sedley – Felicity Palmer Auntie – Jill Grove Niece –  Leah Partridge Niece –  Erin Morley Hobson – […]

  • A Singer’s Notes 93: Denève, the TMC Orchestra, and Berlioz; McGegan and Handel; Bernstein’s Candide at Tanglewood
    The excellent Stephane Denève chose two works of Hector Berlioz for his TMCO concert. Wholly remarkable was a performance of Les Nuits d'Été. The maestro gave these songs a sound I've never heard before. It was ravishingly quiet to begin with, not unlike the nearly silent playing Simon Rattle can achieve in his Mahler performances. It was like some
    Keith Kibler
  • Murder Myth Married to Music—Lizzie Borden Wields her Axe at Tanglewood
    In Jack Beeson and Kenward Elmslie’s 1965 retelling, Lizzie Borden is unequivocally presented the murderer of her step-mother and father; in the opening moments, as the orchestra starts up with a scream of outrage, Lizzie runs onstage with an axe and plants it firmly in the middle of the family table. It remains there for most of the opera, sometimes reached
    Larry Wallach
  • A Singer’s Notes 92: The Cherry Orchard
    The Cherry Orchard At Historic Park-McCullough in North Bennington, VT July 31 – August 9 Most remarkable in Living Room Theatre’s The Cherry Orchard by Chekhov on Friday night was a natural sounding translation of the play – something I have rarely heard. This was accomplished by the young actress who also played Anya, along with Randolyn Zinn. […] The post
    Keith Kibler
  • A Singer’s Notes 91: TMC Forever, and A Little Bit of Marlboro
    The Tanglewood Center Music Orchestra took on an enormous challenge in their first outing this summer. The Bruckner 4th Symphony is a magnificent leviathan of a piece which requires everything of its players and its conductor. The young French horn section deserves multiple plaudits. This work is one of the supreme tests of orchestral horn […] The post A Sin
    Keith Kibler