New York Arts > retrospective
No British artist in living memory has achieved the glaring notoriety of Damien Hirst. As a teen-ager his idea of a fun photo was posing next to the swollen head of a corpse in a morgue. In the photo he grins with crazy intensity, and ever since then his aim has been to dazzle with disgust. One imagines that he wanders the streets in an acid-green spotlight waving off paparazzi the way Orestes waved off flies. In fact, flies figure into several of Hirst’s pieces. One is an installation in which maggots are eating a skinned cow’s head. Another is a black disc mounted on the wall made of resin and squashed houseflies. The repellent is Hirst’s muse.