New York Arts > Richard Angas
By the skin of his teeth. As a bizarre offshoot of the workers’ paradise, Soviet ideology boasted of creating a New Man, with possible help from the apes — before DNA was discovered, crackpot experiments that involved interbreeding humans with lower primates were conceived. The only success was fictitious, a creature named Orango who began life as a French journalist before being injected with chimpanzee serum. He is the sullen, furry anti-hero of a satirical opera begun by Shostakovich in 1932, and although the weirdness of the libretto may have been a stumbling block, another was probably political: Orango spoofed the decadent West (the creature uses his intelligence to become a stock market manipulator but retains a King Kong-like appetite for blondes). Did Orango’s brutish manners shave a bit too close to Stalin? Or did he dangerously mock the promise of a New Man?