New York Arts > Richard Jones
By now the word is that Anna Nicole, by Mark-Antony Turnage and librettist Richard Thomas, is likely to be the New York City Opera’s last production. If the City Opera is dying, it is going out magnificently, with its greatly reduced season setting a model for opera houses in the US and around the world. The 2013-14 season, if it takes place, includes the important contemporary opera discussed here, a 2011 commission by the Royal Opera House at Covent Garden, followed by a long-forgotten setting of Metastasio’s Endimione by Johann Christian Bach, a staged performance of Bartók’s Bluebeard’s Castle, and finally one staple of the standard operatic repertory, Mozart’s Marriage of Figaro, the final instalment in Christopher Alden’s innovative staging of the three Mozart-Da Ponte operas. The schedule is small, but every opera has a vital reason to be in it.