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Posts Tagged ‘Richard Strauss’

Thumbnail : Mariss Jansons and the Royal Concertgebouw Orchestra visit New York with Bartók, Mahler, Richard Strauss, and Bruckner, with Leonidas Kavakos

Mariss Jansons and the Royal Concertgebouw Orchestra visit New York with Bartók, Mahler, Richard Strauss, and Bruckner, with Leonidas Kavakos

When the Concertgebouw play at Carnegie, it is hard to imagine that any other orchestra could be as good or better. Then we hear Vienna and Dresden (we we shall this season), and we realize that the great Central European orchestras flourish in spheres all their own, and that it is a fool’s errand to attempt to rank them. Still, when it comes to communicating what a composer wrote, rather than a particular tradition of playing, the Concertgebouw remain unsurpassed. And if one refers back to the magnificent legacy of recorded performances under conductors associated with other orchestras—Walter, Klemperer, Szell, Monteux, and others—one consistently finds that their performances with the Concertgebouw represent their very best work. This year’s visit went right to the mark.

Thumbnail : Golden Bough: Richard Strauss’s Die Liebe der Danae

Golden Bough: Richard Strauss’s Die Liebe der Danae

In my preview of this opera, I maintained that Die Liebe der Danae (more properly, Danaë, emphasizing the “ahh-aay” of the last two vowels), is a rarely performed treasure from the last years of Richard Strauss. Based on Maestro Botstein’s wonderful recording a decade ago, I wondered whether an actual stage production could do justice to the music. Joseph Gregor’s libretto seemed wayward to me, so that seemed the biggest obstacle for a felicitous live production. In fact, this new production at Bard’s Summerscape, directed by Kevin Newbury, lived up to, and exceeded all my expectations. Musically, it turns out as one of Strauss’s most attractive works; and the libretto, while quirky and vapid at times, inspired a humorous, imaginative and completely enchanting production.

Thumbnail : At Bard Summerscape 2011: the Greatest Opera You’ve (Probably) Never Heard.

At Bard Summerscape 2011: the Greatest Opera You’ve (Probably) Never Heard.

Die Liebe der Danaë Libretto by Joseph Gregor Based on a scenario by Hugo von Hofmannsthal Music by Richard Strauss First N.Y. Fully Staged production July 29 – August 7, 2011 The Richard B. Fisher Center f or the Performing Arts at Bard College The American Symphony Orchestra Leon Botstein, Conductor It’s a bit of [...]

Thumbnail : Art Imitating Art:  Strauss’s Capriccio at the Met

Art Imitating Art: Strauss’s Capriccio at the Met

Strauss’s Capriccio (Conversation Piece for Music in One Act) opus 85 Libretto by Clemens Krauss and Richard Strauss The Metropolitan Opera Production Live in HD, April 23, 2011 Andrew Davis, Conductor John Cox, Producer Mauro Pagano, Set Designer Renée Fleming, The Countess Madeleine Morten Frank Larsen, The Count Sarah Connolly, Clarion Joseph Kaiser, Flamand Russell Braun, Olivier Peter [...]

Thumbnail : Bard SummerScape 2011 Explores the Life and Times of Jean Sibelius with a Seven-Week Arts Festival in New York’s Hudson Valley, July 7 – August 21, 2011

Bard SummerScape 2011 Explores the Life and Times of Jean Sibelius with a Seven-Week Arts Festival in New York’s Hudson Valley, July 7 – August 21, 2011

[UPDATE: read our review of the festival here.]         Bard SummerScape 2011 Explores the Life and Times of Jean Sibelius with a Seven-Week Arts Festival in New York’s Hudson Valley, July 7 – August 21, 2011   Includes 22nd Bard Music Festival, “Sibelius and His World” and New York’s First Staged Production [...]

Thumbnail : Alfred Brendel, Deborah Voigt, James Levine, Metropolitan Opera Orchestra: Mozart, Webern, Berg, Strauss, Salome

Alfred Brendel, Deborah Voigt, James Levine, Metropolitan Opera Orchestra: Mozart, Webern, Berg, Strauss, Salome

The Metropolitan Opera Orchestra James Levine, Music Director and Conductor Deborah Voigt, Soprano Alfred Brendel, Piano Webern, Six Pieces for Orchestra Mozart, Piano Concerto No. 24 in C Minor, K. 491 Berg, Three Pieces for Orchestra, Op. 6 R. Strauss, Final Scene from Salome It comes as particularly sad news that Alfred Brendel will retire from public recitals [...]

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  • Leonard Bernstein’s On the Town at Barrington Stage Company, June 12 – July 13, 2013
    The “overture” to the Barrington Stage Company’s production of On the Town, the Leonard Bernstein, Betty Comden-Adolph Green musical, wasn’t written by the composer. The honors belong to John Stafford Smith, who with later lyrics by Francis Scott Key, wrote “The Star Spangled Banner.” It’s an unexpected way to begin this hilarious and horny show about three […]
    Nancy Salz
  • A Singer’s Notes 70: The Fantasticks at the Mac-Haydn Theatre
    It was excellent to go to the venerable Mac-Haydn Theatre last night. One comes upon it like a secret location, hidden in the landscape. It is a company full of real people; pretension is not allowed. It has a round stage, and has seen a succession of musicals performed on it for forty-five years. I went there to see one of my favorite shows, Harvey Schmidt […]
    Keith Kibler
  • Matt Haimovitz and Christopher O’Riley Open the Summer Season at Tannery Pond with All-Russian Cello Sonatas
    The barn at Tannery Pond is particularly well suited to cello music — a kind of cello-within-a-cello, the musical equivalent to the old literary framing device, maybe. The instrument's range and woody timbre are particularly appealing, even restful, resting on the ear's most sensitive range of pitches, so it is no wonder cellists seek out such acou […]
    Andrew Miller
  • The Berkshire Beethoven Piano Project
    There is a new musical enterprise making its debut on Sunday June 2 (at 5 pm in the Kellogg Music Center, Bard College at Simon's Rock). We call it "The Berkshire Beethoven Piano Project" in the optimistic belief that our program of four Beethoven piano sonatas, performed by four Berkshire pianists, will be the first in a series of such events […]
    Larry Wallach