Tag Archive: Rimsky-Korsakoff

Andris Nelsons in Boston…with Two Superb Concerts under the BSO’s New Assistant Conductor, Ken-David Masur, and an Appreciation of James Levine

Cellist Gautier Capucon, BSO principal violist Steven Ansell, and Andris Nelsons take their bows following their performance of Strauss's Don Quixote. Photo Michael Blanchard.

Andris Nelsons has garnered a lot of attention during his first season as Music Director of the Boston Symphony Orchestra—much coverage in the local and even national press; receptions for the public and an exhibition with a talking hologram at Symphony Hall; placards on buses around Boston and in the subway. He threw out a ball for the Boston Red Sox at Fenway Park. The BSO organization wants him talked about by the man and woman on the street—especially the younger set. It remains to be seen whether a new younger audience will be drawn to the BSO. Eventually, it’s the music that will matter, not publicity.

B-List Works Shine Forth at Symphony Hall. Andrew Davis leads the BSO in Vaughan-Williams, Prokofiev (with Yuja Wang), and Rimsky-Korsakoff

Ralph Vaughan-Williams

The oeuvre of the each of the greatest, most familiar composers can be imagined as a personal cosmos, a collection of works of great power and quality, spanning a wide range of style and expression. Mention of their names is almost enough to arouse expectations of music belonging on the A-List. Other significant but less ubiquitous composers can be known to concert audiences through small numbers of repeatedly performed works that possess an identifiable sound, style, and mood. Less familiar but important works by two such composers, Ralph Vaughan-Williams and Serge Prokofiev, received fine performances by the Boston Symphony in late March, along with an A-List favorite by Rimsky-Korsakoff. These works gave audiences a chance to savor some less familiar, even surprising sides of their composers’ artistic personalities, and to provoke curiosity about what other works by these composers might be lurking in the shadows of the B-List.

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