Tag Archive: Ryan Turner

Ups and Downs of the Boston Music Season, mostly Boston Symphony with Andris Nelsons, 2016-2017

Thomas Adès conducting the BSO. Photo Stu Rosner.

The Boston Symphony Orchestra’s 2017 Tanglewood Music Festival, very successful by many reports, has just concluded, with the new season in Boston to begin very soon. I offer here the perspective of a look back at the preceding season in Boston, commenting mostly on BSO, but also a few other events. I was able to attend only one Tanglewood concert this summer: the impressive concert performance of Wagner’s Das Rheingold, conducted by BSO Music Director Andris Nelsons, with a large, excellent cast. A good sign for the future.

Emmanuel Music, with Andrew Rangell, Piano, at the Rockport Chamber Music Festival

Andrew Rangell. Photo David Shriver.

It is always a pleasure to be in the Cape Ann harbor town of Rockport and to attend musical events in the beautiful Shalin Liu recital hall with its glass wall looking out to sea. The June 26th concert provided a striking contrast in styles of Baroque era music, with works of Bach and Handel, respectively, in the two parts of the program. The listener was invited into an emotional journey from darkness to light.

Boston’s Fall 2013 Round-Up

Thomas Adès and the BSO chamber players. Photo by Robert Torres.

This year will, as everyone hopes, be the Boston Symphony Orchestra’s last season without a music director — at least for another five years. Andris Nelsons has been signed up, and although he’s conducting only two BSO subscription programs this entire year, he’ll be really and officially taking charge next fall. His photo is already on the cover of the BSO program book, with the title “Music Director Designate.”

John Harbison’s The Great Gatsby in Boston

“So we beat on, boats against the currents, borne back ceaselessly into the past.” Nick Carraway’s concluding insight in The Great Gatsby is one of the great closing sentences in literature, and one of the great images of our human helplessness to escape the past. It’s also the line that ends John Harbison’s Gatsby opera, which—13 years after its premiere at the Metropolitan Opera—just had its first complete Boston performance, in a concert version produced by Emmanuel Music (the musical organization Harbison co-founded in 1970 with Craig Smith at Boston’s Emmanuel Church, mainly to play all of Bach’s cantatas as part of every Sunday’s liturgy). Harbison is now Principal Guest Conductor at Emmanuel, which has long been associated with his music, including the very first public performance, in 1997, of the first two scenes from The Great Gatsby.