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Posts Tagged ‘Susan Graham’

Thumbnail : Birthday Bashes Abound in the Big Apple: Garrison Keillor at 70 and Barbara Cook at 85

Birthday Bashes Abound in the Big Apple: Garrison Keillor at 70 and Barbara Cook at 85

It isn’t often that two luminaries of the entertainment world publicly mark major milestones in the same week and city. Yet such was the case last week in New York: on Tuesday, Garrison Keillor reflected upon seven decades of life in a special appearance with the New York Philharmonic, and on Thursday, Barbara Cook celebrated her eighty-fifth birthday in Carnegie Hall, exactly one week in anticipation of the actual day.

Thumbnail : Gluck’s Iphigénie en Tauride at the Met with Susan Graham and Plácido Domingo

Gluck’s Iphigénie en Tauride at the Met with Susan Graham and Plácido Domingo

What a splendid idea to revive Gluck’s final masterpiece, Iphigénie en Tauride, on two great stages at opposite ends of the continent. Gluck, the great reformer, has been too long little more than a chapter — or, worse — a section of a chapter in music history books, and recent attempts to bring his works to life on 21st century stages are for the most part commendable, whether they succeed or not, although I did sense a touch of cynicism in the excruciatingly fashionable Orphée of Mark Morris and Isaac Mizrahi — and a fashion statement (or ad) is not what we want in these unmitigatedly dignified works.

Thumbnail : Susan Graham Sings French Songs at Cadogan Hall

Susan Graham Sings French Songs at Cadogan Hall

Matinee musicale. On a sunny day off Sloane Square, it was a perfect idea to skip lunch and listen instead to an hour of French songs. The singer was Susan Graham, the acclaimed Texas-born mezzo who has made a speciality of this repertoire, like Frederica von Stade before her. Ever since the Twenties, when young expatriates travelled to Paris to study with Nadia Boulanger, there’s been a preference in New York and Boston, now rather slim, for chansons over lieder. Graham has made a recording of songs by Ned Rorem, who duplicates the ephemeral delicacy and finely etched sophistication found in Ravel, Poulenc, and Debussy. The virtues of the French art song are either delectable or debatable, depending on your orientation. Paris or Vienna? I lean so far to the latter that I hesitated about going to hear Graham’s recital, but I knew her singing would be very accomplished, so I took my seat in the front row at Cadogan Hall.

Thumbnail : Don Giovanni at the Met x 2

Don Giovanni at the Met x 2

Metropolitan Opera House Don Giovanni Mozart-Da Ponte Conductor – Louis Langrée Continuo: Dennis Giauque, Harpsichord David Heiss, Cello Mandolin Solo: Joyce Rasmussen Balint Production – Marthe Keller Set Designer – Michael Yeargan Costume Designer – Christine Rabot-Pinson Lighting Designer – Jean Kalman Choreographer – Blanca Li Stage Director – Gina Lapinski October 4, 2008 Don […]

Thumbnail : Hector Berlioz, La Damnation de Faust, Metropolitan Opera, November 7, 2008

Hector Berlioz, La Damnation de Faust, Metropolitan Opera, November 7, 2008

Faust – Marcello Giordani Marguerite – Susan Graham Méphistophélès – John Relyea Brander – Patrick Carfizzi Conductor – James Levine Production – Robert Lepage [Debut] Associate Director – Neilson Vignola [Debut] Set Designer – Carl Fillion.[Debut] Costume Designer – Karin Erskine [Debut] Lighting Designer – Sonoyo Nishikawa [Debut] Interactive Video Designer – Holger Förterer [Debut] […]

  • Richard Goode Plays Beethoven’s Last Three Sonatas and Bagatelles, Op. 119 at Jordan Hall, Boston
    This was a great recital—almost. Richard Goode played the last three Beethoven piano Sonatas and a set of late Bagatelles, and was quite convincing, even revelatory, with all the material except the final Sonata, the forbidding Opus 111. This last came off well, it felt meant—and all those difficult notes were well articulated—but the full emotional […]
    Charles Warren
  • The Bard Music Festival at 25: Franz Schubert and his World
    My leading thought goes against much of what the Bard Music Festival and my own values, for that matter, stand for. And just read Keith Francis' provocative series, The Great Composers?, the latest installment of which has just been published. I've missed only one Bard Festival since 2006, and I've heard great music by Elgar, […]
    Michael Miller
  • A Singer’s Notes 98: No Amontillado, just Ale
    The much-maligned poetry of Edgar Allan Poe still bristles with excitement when one hears it. High and mighty Emerson called it a bunch of "jingles." The musical reference is appropriate. A poem like "Annabelle Lee" is basically a sound event. The sonic Poe I have in my imagination was revered by the French, Baudelaire in […]
    Keith Kibler
  • A Treasurable Account of Poe’s Last Hours from the Berkshire Theatre Group, with David Adkins and Kate Maguire, Closing 10/26
    You can't really blame the Berkshire Theatre Group for billing Eric Hill's splendid entertainment, POE, as a Hallowe'en show. As the holiday approaches, Poe's chilling stories and poems are rolled out in all the many forms they have assumed since their assimilation into two great cultural phenomena, American Literature and American Pop Culture, over the […]
    Michael Miller

New York Arts is dedicated to bringing you the best critical writing about the arts, in-depth, and written by passionate, engaging writers.

 
Every page on the site is free, and so are subscriptions to our email updates.
 
New York Arts survives on your voluntary support.
 
Why?
 
A. Our writers are professionals and should be paid for their work, and so should the editors, who also carry out the everyday tasks of maintaining the site and business.
 
B. There are daily costs in maintaining the site, transportation, professional expenses, and so on...to a long list.
 
C. The editor currently takes on all the administrative work. We need a specialized assistant/administrator.
 
Click here to make your tax-deductible donation to The Arts Press, publisher of New York Arts and The Berkshire Review. Or click on the notice in the sidebar. The Arts Press is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of The Arts Press must be made payable to“Fractured Atlas” only and are tax-deductible to the extent permitted by law.
 
If you enjoy what your read here, support New York Arts and keep serious criticism alive! You won't find it in your local newspaper anymore!