Tag Archive: Tristan und Isolde

New York Arts’ Recommended Books and Classical Recordings 2011

Modern Flash Dictionary by George Kent (1835). The British Library Board.

I should most likely not distract you from giving a subscription to The Berkshire Review as a holiday gift. We need subscriptions to carry on our work, but there are a few items that have come in for review that I can warmly suggest as excellent gifts. These are not systematic, and they are not always serious, but we do recommend them. Some of them will be reviewed in detail over the following weeks.

New York Arts’ Recommended Books and Classical Recordings 2011

Modern Flash Dictionary by George Kent (1835). The British Library Board.

I should most likely not distract you from giving a subscription to The Berkshire Review as a holiday gift. We need subscriptions to carry on our work, but there are a few items that have come in for review that I can warmly suggest as excellent gifts. These are not systematic, and they are not always serious, but we do recommend them. Some of them will be reviewed in detail over the following weeks.

Simon Rattle Conducts the Orchestra of the Age of Enlightenment in the Love Scene from Roméo et Juliette and Wagner’s Tristan, Act II

Point taken. Whenever period orchestras venture far beyond the Baroque, they have something to prove. But at last night’s concert of Wagner and Berlioz by the esteemed Orchestra of the Age of Enlightenment, some of the proof was self-evident. Banished completely are the intonation problems that plagued such ensembles in the past; one felt secure in the technical abilities of every section; the wind soloists played as expressively as anyone could wish. London is a center for period performance, which has become beloved. Sir Simon Rattle has conducted Act II of Tristan, in concert with the forces of Berlin and Vienna, but it’s good to be flexible, and since he enjoys a long-standing rapport with the OAE, they were a comfortable fit.

Barenboim’s Tristan at the Met with Dalayman and Seiffert

A Weekend at the Opera, Part II: Richard Wagner, Tristan und Isolde Metropolitan Opera Company, November 28, 2008 Tristan……………..Peter Seiffert Isolde………………Katarina Dalayman Kurwenal…………….Gerd Grochowski [Debut] Brangäne…………….Michelle DeYoung King Marke…………..René Pape Melot……………….Stephen Gaertner Sailor’s Voice……….Matthew Plenk Shepherd…………….Mark Schowalter Steersman……………James Courtney English…
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In Praise of Herbert von Karajan, with a Selective Critical Discography

My immediate reaction to Michael Miller’s commentary on the Karajan centenary [Oh no! He’s not back again, is he? – May 2, 2008] was rather choleric, but I’ve settled down a bit since then and can write this from a relatively balanced perspective.