Tag Archive: Vasily Petrenko

Vasily Petrenko leads the SF Symphony in Glinka, Lalo, and Rachmaninoff, with Joshua Bell, violin

Vasily Petrenko

I don’t know how many in the audience had ever heard anything like it, a symphony dragging itself to a conclusion like a wounded beast over shrieking strings, bass drum rolls gone mad, brass, cymbals and tam tam flashing like jaws and teeth. And then, there was that set of hall-flattening final chords, like crates dropped on the stage, followed by silence for five seconds, broken only by a quiet “Jesus!” under someone’s breath. Welcome to the Rachmaninoff First Symphony!

Vasily Petrenko Conducts the San Francisco Symphony in Barber, Rachmaninoff, and Shostakovich, with Sa Chen, Piano

Vasily Petrenko. Photo Mark McNulty.

Concerts this good have become our norm and good fortune in twenty-first century America—especially in San Francisco. We are used to charismatic conducting, to fine piano debuts, to engaged orchestral playing and the rediscovery of great neglected symphonies. What differs from time to time is the realization that a performer may not only be accomplished, or even inspiring, but one of a kind. I begin to think Vasily Petrenko is such an artist.

Prom 54: Sir Peter Maxwell Davies, Frederick Delius and Shostakovich

Resistance movements. It didn’t take long for everyone to realize that they had a musical star in Vasily Petrenko, the boyish thirtysomething conductor of the Royal Liverpool Philharmonic. He debuted with them in 2004 at the age of 28 with brilliant promise. No one spoke of promise after a concert or two; they were already floored. One of a star’s perks is a roaring welcome at the Proms. You’d have thought at the end of their concert two nights ago that the orchestra had just played Crown Imperial rather than the angst-ridden Shostakovich Tenth.

Vasily Petrenko and Joshua Bell in a Russo-English Program with the SF Symphony: Shostakovich, Tchaikovsky, Glazunov, and Elgar

Vasily Petrenko. Photo Mark McNulty.

Hats off, ladies and Gentlemen! A conductor! And a great symphony!

Vasily Petrenko’s recent electrifying week with the San Francisco Symphony reminds the listener that Gustavo Dudamel is not the sole “conducting animal” to be found on the musical circuit these days. Esa-Pekka Salonen coined the term a while back, with the impassioned Venezuelan in mind. And indeed, Dudamel is the sort of refreshing performer who has the winds jumping to their feet like jazz musicians and bass players twirling their instruments. He is all about emotion as vitality. But physically, apart from the energy with which he beats time, his manner is unremarkable.

The fascination of Petrenko, by contrast, is his ability to reflect every quivering moment of the music somewhere on his face or body, as though he were a disembodied hologram. We joke about people who are “double-jointed.” But Vasily Petrenko might as well be quadruple-sprung and then some…this is a man who’d have no trouble tapping three heads, rubbing five tummies and signalling with numerous eyebrows at the same time!

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