Tag Archive: Vienna Philharmonic

Lorin Maazel: a Few post Mortem Memories and Reflections

Lorin Maazel on the podium. Photo Steven Kruger.

I wish I had thought of it first: “The Man Who Knew Too Much.” That was how the papers received Lorin Maazel’s death. And it’s a telling remark for anyone who reminisces about the conductor. Maazel was a genius who solved differential calculus problems for fun. He bored easily, was prone to arrogance, and it became his tendency to pull music around until it interested him again. This did not always work with audiences. At times the music could sound like an equation, itself.

“Vienna, City of Dreams” in New York: Four Orchestral Concerts by the Vienna Philharmonic at Carnegie Hall

Diana Damrau closes the final concert of "Vienna, City of Dreams," while maestro Mehta looks on.

Nowadays, visiting orchestras often play two or three concerts in New York, and, best of all, these are sometimes “curated” into themed series, like the VPO’s under Boulez and Barenboim a few years ago. This year, Carnegie Hall is presenting an exceptionally ambitious event, Vienna, City of Dreams, which goes beyond the Vienna Philharmonic’s unprecedented seven-concert series of symphonic and operatic works, and includes chamber music concerts, contemporary music, symposia, film screenings, and a few events including the visual arts, including Vienna Complex, a contemporary group exhibition at the Austrian Cultural Forum, which has organized most of the events outside Carnegie Hall itself, although no significant exhibitions of the art of the periods represented by the concerts at Carnegie Hall. (The other piece of Vienna in New York, the Neue Galerie, is offering nothing but limited free tours for ticket holders and discounts in their gift shop.) Theater and literature went virtually unrepresented. (A Viennese theater festival, including the Burgtheater, would have been welcome—magnificent, even.) A language barrier in our day of ubiquitous supertitles?

The Proms: Haitink and Perahia with the Vienna Philharmonic

Perennial spring. The Vienna Philharmonic never wants for love and respect, being showered with both almost beyond measure. Their PR department must consist of an answering machine that says, “Thanks for adoring us. Maybe we’ll call you back.” Since their principal season is spent in the opera house, the Philharmonic gives few orchestral concerts compared with the world’s other premiere ensembles. After earning raves and an audience hanging from the rafters at the Proms this summer, these august visitors were described by one London critic as “lifetime members of the high table.” It’s become de rigeur to carp about the absence of women in the orchestra (I counted three), but otherwise, a critic might as well push a macro key on his computer set to endless praise.

Boulez and Barenboim conduct the Vienna Philharmonic at Carnegie Hall in Schoenberg, Webern, Boulez, Wagner and Beethoven

Arnold Schoenberg in Los Angeles, 1948

Vienna Philharmonic Orchestra Daniel Barenboim, Conductor Carnegie Hall, January 15, 2010 Beethoven, Symphony No. 6, “Pastoral” Wagner, Prelude and Liebestod from Tristan und Isolde Schoenberg, Variations for Orchestra, Op. 31 Encore: J. Strauss Jr., Unter Donner und Blitz, Op. 324 Vienna…
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Music in a Time of Disaster…The Vienna Philharmonic conducted by Pierre Boulez, Carnegie Hall, January 16, 2010

Pierre Boulez

  Vienna Philharmonic Orchestra Pierre Boulez, conductor Carnegie Hall, January 16, 2010 Schoenberg, Chamber Symphony No. 2, Op. 38 Schoenberg, Piano Concerto, Op. 42 (Daniel Barenboim, soloist) Webern, Six Pieces for Orchestra, Op. 6 Mahler, Adagio from Symphony no. 10 in…
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