Tag Archive: work

Vasily Petrenko and Joshua Bell in a Russo-English Program with the SF Symphony: Shostakovich, Tchaikovsky, Glazunov, and Elgar

Vasily Petrenko. Photo Mark McNulty.

Hats off, ladies and Gentlemen! A conductor! And a great symphony!

Vasily Petrenko’s recent electrifying week with the San Francisco Symphony reminds the listener that Gustavo Dudamel is not the sole “conducting animal” to be found on the musical circuit these days. Esa-Pekka Salonen coined the term a while back, with the impassioned Venezuelan in mind. And indeed, Dudamel is the sort of refreshing performer who has the winds jumping to their feet like jazz musicians and bass players twirling their instruments. He is all about emotion as vitality. But physically, apart from the energy with which he beats time, his manner is unremarkable.

The fascination of Petrenko, by contrast, is his ability to reflect every quivering moment of the music somewhere on his face or body, as though he were a disembodied hologram. We joke about people who are “double-jointed.” But Vasily Petrenko might as well be quadruple-sprung and then some…this is a man who’d have no trouble tapping three heads, rubbing five tummies and signalling with numerous eyebrows at the same time!

A Grand Tour, Part 1: The Digital Flâneur

Like cats chasing tails, all that is urgent in contemporary discussions of the city circles around the topic of density. While this makes it easy to define the shape of the boxing ring, it doesn’t set the rules of the fight, and boy oh boy is density ever a fight. Here in Sydney urban planning discourse feels like a nightmare dreamed in a fever, a chase scene in which it is impossible not to run in circles, slowly. As someone who cares deeply about Sydney’s future, it was a sweet relief to leave Smug City for a few weeks to see how they make cities in Europe.

Goodnight Irene Directed by Paolo Marinou-Blanco

Director: Paolo Marinou-Blanco Cast: Robert Pugh, Nuno Lopes, Rita Loureiro An exotic place, an eccentric character and enticing story make Goodnight Irene an excellent motion picture – perhaps the best shown in the 2008 Edinburgh International Film Festival. Robert Pugh…
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In Praise of Herbert von Karajan, with a Selective Critical Discography

My immediate reaction to Michael Miller’s commentary on the Karajan centenary [Oh no! He’s not back again, is he? – May 2, 2008] was rather choleric, but I’ve settled down a bit since then and can write this from a relatively balanced perspective.