Tag Archive: Yuja Wang

MTT and Yuja Wang play their European Tour Program at Home: Bartók and Mahler

Yuja Wang

Naked came the pianist!

Or so it nearly seemed, as Yuja Wang made her way to the Davies stage last Saturday. This young performer always serves up classic delicacy spiked with erotic undulation. But nothing quite led us to expect the peek-a-lot raspberry dress, with its hip-high slit, diamond glam panels and full expanse of leg seen from the bench. This was nearly Bartók in a bikini. But nobody was complaining. Europe, take note. In America, all is not prudery!

Michael Tilson Thomas conducts The London Symphony Orchestra in Colin Matthews, Gershwin (with Yuja Wang), and Shostakovich

Yuja Wang

If you feel pursued by good luck, do we call it paranoia? This is the question I must answer lately, since it seems the London Symphony has chased me down in San Francisco—to my great delight!

Just a month ago, I had the good fortune of hearing Sir Mark Elder lead the orchestra in a solid Pathétique at the Barbican. By the time my visit was over, I had experienced the Berlin Philharmonic, the BBC Symphony, the Philharmonia and the London Philharmonic, as well. What puzzled throughout all this listening was the difficulty of telling the orchestras apart in London’s Barbican and Festival Hall, clinical modern venues with limited reverberation and bass.

B-List Works Shine Forth at Symphony Hall. Andrew Davis leads the BSO in Vaughan-Williams, Prokofiev (with Yuja Wang), and Rimsky-Korsakoff

Ralph Vaughan-Williams

The oeuvre of the each of the greatest, most familiar composers can be imagined as a personal cosmos, a collection of works of great power and quality, spanning a wide range of style and expression. Mention of their names is almost enough to arouse expectations of music belonging on the A-List. Other significant but less ubiquitous composers can be known to concert audiences through small numbers of repeatedly performed works that possess an identifiable sound, style, and mood. Less familiar but important works by two such composers, Ralph Vaughan-Williams and Serge Prokofiev, received fine performances by the Boston Symphony in late March, along with an A-List favorite by Rimsky-Korsakoff. These works gave audiences a chance to savor some less familiar, even surprising sides of their composers’ artistic personalities, and to provoke curiosity about what other works by these composers might be lurking in the shadows of the B-List.

The Agonies of the San Francisco Symphony: a Tour Program that Never Got to Carnegie Hall

An empty Davies Hall

The San Francisco Symphony Davies Hall, San Francisco Wednesday, March 6, 2013 Michael Tilson Thomas, Conductor Yuja Wang, piano Samuel Carl Adams – Drift and Providence (2012) Beethoven – Piano Concerto No. 4 in G major, Opus 58 (1806) Brahms…
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Musical Life in San Francisco: Yuja Wang, Michael Tilson Thomas, and the SF Symphony play Poulenc, Stravinsky, Villa-Lobos, Ravel, and Stravinsky

Michael Tilson Thomas may sometimes over-program his orchestra and over-instruct his audiences, as locals will attest, but a cooperative sunset, a dazzling young Chinese soloist in a red dress, and a frothy line-up of arch and knowing pieces helped transform last Thursday evening’s SF Symphony concert into something of a summer gala.

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