For a White House in need of a few moment’s levity, recent events in Australian politics might have provided an opportunity for a bit of fun. A meeting was planned between the Australian prime minister and President Obama after the G20 meeting in Canada next week. A supreme prank could have been devised whereby the president’s aides agreed not to mention Australia and somehow deprived their boss of any news thereof, surely not too difficult with more pressing business at hand. On the day of the meeting, the Oval Office door would have opened and instead of his good mate Kevin Rudd, in would walk a smiling redhead, Australia’s first female prime minister, Julia Gillard. Alas this prank will never come to pass. Obama thankfully seeks out his own news, and in any case after this week of extraordinary upheaval in Australian politics, the newly sworn in Prime Minister Gillard is far too busy to travel overseas.
Michael Tilson Thomas may sometimes over-program his orchestra and over-instruct his audiences, as locals will attest, but a cooperative sunset, a dazzling young Chinese soloist in a red dress, and a frothy line-up of arch and knowing pieces helped transform last Thursday evening's SF Symphony concert into something of a summer gala.
Posted about Edinburgh – on taxi cabs, bus stops and cinemas (the usual routes of urban escape) – are classic film titles: La Terra Trema, Wild Strawberries, Dr. Zhivago, Easy Rider, Taxi Driver, Annie Hall…
Barangaroo developer Lend Lease has released a revised plan for the site. The fact that it is an improvement on their previous proposal is like saying Burger King is better than McDonalds, perhaps true, but surely there are better hamburgers in the world. Sydney city councilor John McInerney is probably right to suggest that Lend Lease has pulled an inverted bait-and-switch of the ‘propose something outrageous and the less outrageous thing you planned all along will seem reasonable’ variety. Ironically, by improving some of the original design’s worst excesses -- for example, the “exclamation mark” hotel has been reduced in height and does not project as far into the harbour -- its fundamental flaws are more glaring than ever.
David Fray's recent appearances in San Francisco, performing Beethoven's Second Concerto, revealed him to be a refined, supple colorist. It was less immediately clear how bold or romantic, or indeed "Gouldian" Mr. Fray would turn out to be in music more fully under his own direction. These two new excellent CDs begin to answer this question, and to suggest, moreover, the birth of a fine conductor.