April 2011

Music

London Sinfonietta: Xenakis – Architect of Sound, London Sinfonietta and André de Ridder at the Southbank Centre’s Ether Festival

The Southbank's annual Ether Festival, exploring innovative and multi-disciplinary approaches to contemporary music, includes this year a Xenakis weekend (perhaps timed to mark the tenth anniversary of the composer's death), of which this concert is a part; following the Barbican's "Total Immersion" day dedicated to him two years ago, there seems to be a bit of a vogue for Xenakis in London at the moment. I'm no aficionado, but have always been intrigued by his unique background as an architect and mathematician who applied the same structural principles to composition, and grateful that the resulting music doesn't sound remotely as sterile as one might imagine — in fact far less so, to my mind, than what one might call the pseudo-mathematical approach of total serialism.

New York Arts in Australia

Photography and Place at the Art Gallery of NSW

The Australian landscape seems to require photography. The question of who, how, where, how often and why thankfully remains open, at least among the eighteen photographers included in Photography and Place at the Art Gallery of New South Wales. Australia, so conflicted about cities, is one of the most urbanized societies on earth, a situation which makes the looming question of the landscape all the more urgent. Wilderness will aways dominate the continent, never allowing settlements to be interspersed as they are in the United States or Europe. The land provokes sentimentality, poetry and bitterness. In the heart of the cities which cling to the coastal fringe, it can seem another universe until a dust storm, fire, flood or the daily violence of the sunlight reminds us of nature’s nonnegotiable and indifferent presence.

Music

Sergio Tiempo at Queen Elizabeth Hall: Beethoven, Liszt, Chopin, and Ravel

As usual for me, this was a concert I chose for the repertoire rather than the performer – three of my favourite composers and one (Liszt) I want to investigate further. It's always been pretty much just about the music(, man...), a philosophy I'd like to outgrow. There's not many 'artistes' in classical music that I feel either enthused or knowledgeable enough about to call myself a fan of yet, but one exception is Martha Argerich, who has consistently championed Sergio Tiempo and regularly performs with him. Based on this knowledge and what I'd gathered about him from reading snippets here and there, I went into his debut Southbank performance, part of their International Piano Series, with hopes that he had some of the mercuriality and fire that I love in Argerich.
Music

Twentieth Century Rocks at LSO St Luke’s: Guildhall Ubu Ensemble play Adams, Boulez, Varèse, and Zappa

It was the title of the concert that first caught my eye, a pun and a gratuitous film reference joined in unholy wedlock, with no objections raised from my pew. Then I noticed the performers. The Guildhall Ubu Ensemble are apparently no mere youth orchestra composed of Guildhall students, but “the musicians of tomorrow playing the music of our time.” I would condemn the arrogance and dubious accuracy of that statement, were I not too busy praising the superb choice of name and happily envisaging a future where all musicians pretend to be influenced by seminal proto-Surrealist literature.
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