Provincetown: Selections from the Julie Heller Gallery at the Elisabeth Ivers Gallery, NYC, April 15 – June 4, 2011

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Karl Knaths (1891-1971), Provincetown Houses and Weirs, 1930, Watercolor and chalk on paper, 12 3/4 x 17 1/4 inches.

Karl Knaths (1891-1971), Provincetown Houses and Weirs, 1930, Watercolor and chalk on paper, 12 3/4 x 17 1/4 inches.

Provincetown: Selections from the Julie Heller Gallery
April 15 – June 4, 2011
Opening Reception: Thursday, April 14, 6-8pm
ELISABETH IVERS GALLERY    508 West 26th Street, Suite 6D   New York, New York 10001

Milton Avery, Fritz Bultman, Oliver Chaffee, Carole Ann Danner
Nanno de Groot, Joseph De Martini, Miguel Deveze, Edwin Dickinson
Joseph Garlock, Ada Gilmore, V. Hansen, Hans Hofmann
Jones 1879, Karl Knaths, Betty Lane, Blanche Lazzell, Myron Lechay
Lucy L’Engle, Clare Leighton, Charles Logasa, Philip Malicoat, Leo Manso
Irving Marantz, Mudheads, Mary Mullineux, Ray Nolin, Heinrich Pfeiffer
Flora Schoenfeld, Ferol Sibley Warthen, Agnes Weinrich
Sol Wilson, Marguerite Zorach, William Zorach

Curated by Lydia Vivante

Image: Karl Knaths (1891-1971), Provincetown Houses and Weirs, 1930

Watercolor and chalk on paper, 12 3/4 x 17 1/4 inches

ELISABETH IVERS GALLERY    508 West 26th Street, Suite 6D   New York, New York 10001

T: 212-206-7027 E: lis@elisabethivers.com

About the author

The Editor

Michael Miller, Editor and Publisher of New York Arts, an International Journal for the Arts and The Berkshire Review, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

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